The art is good and for the genre the plot is decent. The protagonist and his main companion are both likeable and have good designs.
The biggest problem is that about halfway through the author starts introducing absolutely insufferable characters that they are clearly really attached too and...
As upstairs said, its very refreshing to meet an MC who doesn't start plotting and acting immediately and whose different personality is noticed more or less immediately.
Something indescribably beautiful about the parallels between this chapter and chapter 2 where Amira hunts rabbits.
The way both of them had bows in their trousseau, and how the grandmother is clearly remembering her own marriage when bringing it up and how that influences her decision to help...
This is really good. The scene of Ford sacrificing himself had me literally wailing. Thank you for bringing this story into existence. I'm sorry that most on this site are unable to see its brilliance
I think what really gets me is how Ethan was never designed to understand emotion, but after running far beyond what anyone had ever planned, all alone. The very first emotion he's able to comprehend is grief. And he's not even fully able to understand what it is he's feeling.
I think it would be funny if he misunderstood skip tutorial and instead of skipping ahead in time, he just grew to adulthood instantly, right there and then.
Maybe I'm just a freak but seeing his "poor village" have stone paving over such wide open areas and the construction style it did...
Well, threw my immersion out the window.