Rebecca probably has to be the first "losing heroine" I've seen where she's already lost from Chapter 1, and there aren't even other women "competing."
But why make them people of the cloth if you also add romance? And I mean because it's implied the monastic life is similar to catholic tradition, kind of sort of.
But why make them people of the cloth if you also add romance? And I mean because it's implied the monastic life is similar to catholic tradition, kind of sort of.
You can't expect Japanese writers to know anything about the topic or care enough to do their research. And clergy romance tropes in manga are decades old, evidently copy-pasted ad infinitum (inb4: it's fiction/fantasy so who cares).
Rebecca probably has to be the first "losing heroine" I've seen where she's already lost from Chapter 1, and there aren't even other women "competing."
But why make them people of the cloth if you also add romance? And I mean because it's implied the monastic life is similar to catholic tradition, kind of sort of.
Perhaps she's not a romantic interest, but the Kingdom put her on the job to keep 'monitoring' him. If the author is competent they'd go for that kind of plot twist. ...Well, that's a big if.
Perhaps she's not a romantic interest, but the Kingdom put her on the job to keep 'monitoring' him. If the author is competent they'd go for that kind of plot twist. ...Well, that's a big if.