(P.S.: Netherland Bach Society bias, I know
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Well, any number of mid-sized American instruments from the early 20th Century, for example, have basically zero mutation/mixture work - it's 75% 8' stops on 4+" of wind, more closely resembling theater instruments than concert ones. Or some of the 19th Century English instruments with no pedal divisions to speak of.How worse can it get?![]()