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I came in knowing the narrative required Elly to win and only hoped Youmu would get a good showing. I was not disappointed. The Youki and Yuyuko stuff was a nice bonus. It was a good chapter for everybody not named Kurumi.

As nobody else has, I am obligated to draw attention to this. The world I grew up in is gone.

I think I prefer it when characters are just called things like "Ringlet Curls" until they become important.

Gotta love the subtle differences and omnipresent fear.

Someday, she'll find a guy named Manko who went through a similar upbringing.

So many misunderstandings piled up that we almost got yaoi.

Excellent showing of the limits of AI. The canned, safe answers didn't work, but one it never would have thought of did.

I mean, Mary's been playing it pretty loose with the First and Second since day one. I don't think Hakase's too big on Asimov.

Are these the stretches to prevent butt cramps?

When I see compositions like this, I always wonder: did the artist not thing it could land without the exclamation pointing out the symbolism, or was it an editor thing? It's like if you went to a museum, and the curators didn't think you'd notice the plaque explaining the piece if they just had...

I choose to believe the constant teasing of a female bath scene was meant to get the reader to relate with Tanya at the end. It also goes back to the chocolate chapter, where instead of something sweet, there are naked muscle guys.

No, absolutely not. A moral society would keep its child soldiers in the live military zones, away from lecherous eyes.

Well, yes and no. Yes, their view of relationships and how much they wish to discuss them as they unwind varies. But they're all Stage 5 bosses who want to bang their Stage 6 superiors and be playable in the next game here to talk about relationship stuff after paying lipservice to food. For...

Junko admires Gunha's guts, but she doesn't want her queen to develop a gut.

That's pretty much what these kinda series are for. You shouldn't turn into a cat, get drunk, and piss yourself in front of a schoolboy. You shouldn't enable or try to fix some woman you barely know by making a litterbox for her. But it's fiction; you dip into an idealized, immoral fantasy...

I come back to this chapter again and again to reread Wazukyan's speech on homesickness. It's a central theme of the story, but Vueko's framing makes it land so poignantly.

Don't listen to her, Momo! She's trying to get you into anthropology!

A.) It's too small to count B.) A drawing of a drawing makes it okay C.) She actually drew something else that happens to look like a penis and talking about it like it is one, but it's totally not, officer D.) The lolicon mangaka fears no law Take your pick.

Hagu did an excellent job of paralleling Sensei and Sasha with these two. It's not completely overlapping, and the personalities are wildly different, but it's still very clear. That young Yumenomi looks like Sensei while still being distinct helps, too. Now...

While the fox's line is a bit clunky, I will always appreciate translators working around gendered pronouns for reveals instead of just having them vary based on what the reader knows.