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[MangaDex]

 

[LayZzz]

that last omake hurt

 

[kronix]

they are never gonna get together, they are stuck in the "com" part of a romcom

 

[CoolOtamegane]

Thus.... My ship sunk itself......

 

[mommy]

I feel bad for Kotone now, especially after chapter 50's 100. I wonder if she would have had a chance if she chose to go for it before he even knew our lovely Nanako or maybe before they started to get along so well.
Anyways wasn't the first part mainly another version of the first chapter? I probably should reread that one

 

[sherish]

=( its sad but oh well

 

[justanothermanganerd]

I'll take one number 3 Nanako teasing a number 1 Nanako

 

[DjAlexDubCheck]

That shooting star senryu isn't bad actually

 

[Shewy92]

So does she actually talk or not? The first part with her mimeing "bathroom" implies that she doesnt even ask with words to go to the bathroom, yet when buying lunch says Thank You and then asks Eli "Why" when he declines her invite to walk home

 

[BrunoVilla]

Holy shit! Get marry already for god sake!!!

 

[Markgraf]

All the girls in this manga are 10/10 keepers.

 

[ImperiumZero]

Time for a harem end.

 

[KafukaPalazzo]

Godamnit, and here I was telling to myself "Finally a manga where the beautiful chilhood friend of the male main character is not secretly in love with him since years but never had the courage to tell him and now it's too late"..... >>

I'm sad for Kotone, but damnit I'm pretty tired of that trope.

 

[Nightlilygirl-]

@KafukaPalazzo I have to say, I kinda agree ^^;

 

[Akemua]

I'm sorry guys, I jinxed it. Just a couple chapters ago I was like, "I'm actually impressed that there has literally been ZERO interest from other girls he's close too. What I mean is, the MC can actually be close friends with females without them being a potential love interest and it only focusing on the two main characters."

*Hangs head in shame

 

[Harambe]

Not like this...

 

[ulTrarobo]

Prez or koto nee?

 

[nobaka]

prez forever

 

[Nyaalter]

*Childhood friend had left the conversation*