I like that most art made abput art is predictable to the cycle of making stuff in the narrative progression. Context from story has akane identifying rakugo as an art where she can play and have fun, seeing her dad become down trodden at his rejection had her practice the skills and learn mastery of the art form, putting in work for memorization and living her life to make the performances more lively while also identifying both having skill and wanting to play as a way to better hone her craft. And again at that point of the story we have her facing a harsh reality with the master's sudden debilitating sickness that had her confront an aspect of her art she wasnt too keen on practicing; intersectionality and knowledge sharing. Then she goes off, relearns performing rakugo as an abstraction having to perform for a foreign audience in a very non-traditional method and goes back home and finds herself struggling to reconcile how she could reintroduce aspects of play to her new mastery. Here we see her showcasing an absolute mastery of the art as a performer/rakugoka, at the very least in the aspect of allowing the stories to tell themselves and allowing the audience to enjoy the work. i'm very interested to see how the narrative tries to justify re-introduction of play, hopefully nothing too much of a loss or a hardship comes her way.