This manga handles it wayyy better than how most American story handles it. Feels natural somehow.ah, the american poison reached this comic too.
more like that fact its even around.This manga handles it wayyy better than how most American story handles it. Feels natural somehow.
American story that pull this is always so on the nose and pulls the "Oh look, I'm lgbtq, this will be my only defining characteristic in the whole movie and I will remind you of this every 3 minutes"
This went forward so fast that I can't call it delicate. This was the first time Kouichi and Asako met, while Asako was conscious, yet they went forward full throttle. It seems to me Kouichi has had enough of his home's suppressive atmosphere and is past being delicate about it, more or less. He gives the impression that once he's in Tokyo, he won't try to hide anything, reasonably speaking.This one is quite delicate though.
It insane that you read this chapter and instantly go "GOD DAMN YOU AMERICANS!" lmao.ah, the american poison reached this comic too.
ah, the american poison reached this comic too.
Uhhh, you realize that issue precedes the establishment of the US by... a couple thousand years, at least? Right?ah, the american poison reached this comic too.
Haha, I felt the same about the latest chapter of Story of the Useless Prefect. However, here in this chapter we only have MC, FMC, MC's sister, and her crush. Really not a lot to keep track of!I'll be honest, after so long since the last chap, the only characters I remember are Asako and the mc boy/man.
This went forward so fast that I can't call it delicate. This was the first time Kouichi and Asako met, while Asako was conscious, yet they went forward full throttle. It seems to me Kouichi has had enough of his home's suppressive atmosphere and is past being delicate about it, more or less. He gives the impression that once he's in Tokyo, he won't try to hide anything, reasonably speaking.
Inari Konkon was good until second half was basically a repeat of first.Yoshida Morohe has always been somewhat progressive in this area, as she has delved into these topics in her other works, with varying levels of maturity and seriousness. They don't take the central stage, but they're there. (Inari Konkon got a few people talking because of how she handled her Lesbian character, and that was in the early 2010s, for example) So, honestly, the inclusion of a trans character doesn’t really surprise me.