Cherry Yuusha to "Sei" Naru Tsurugi - Ch. 25 - Resonance and...

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Thanks for the chapter, BAS.



Finally the climax

Not bad.

And perhaps, just perhaps, Cherio and Iruenza will find out that there really isn't such a vas deferens between them.

This one's not as effortless, but it's still clever.

At this point the demon is better off dead. She can't use fear as an excuse now that she's trying to kill the one person who was trying to help her.

I hate to say it, but I agree. "I'm afraid, I'm afraid~" doesn't work when you willfully--and with remarkably fearless composure--decide that the cessation of hostilities with the one person who could potentially end her cause for fear is not on the table...because [she's a demon].

She doesn't really have a reason, but I should not be surprised by this level of writing: the author, in this very chapter, is using civilians who should have long evacuated by this point to emphasize the power of Iruenza's attack. It's the kind of writing common among works either by idiot authors or those that intentionally don't want the reader to think about their works.
 
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Page 7: "Hey you, you're finally awake."

Jokes aside, I'm surprised that 'Cherry' hasn't used the Holy Zone on the Demon Queen; I was really hoping for a demon sword pull.

Where are all the other Guardian heroes? We've see 2 others helping to evacuate the city (which they've done a terrible job at), but literally no one else.

I was under the impression that pulling a sword from a female hero was a temporary effect, like it lasts as long as the woman is in a state of 'afterglow', and so the sword must be used quickly to dispatch enemies. Here we see Cherry running around with both Lelia's and Rosemary's swords while the latter 2 continue to fight on their own in a totally normal, non-horny state.

I don't really buy into the reasoning behind the Demon Queen's actions. What she's saying and what she's doing do not coincide with the idea that she's just afraid of everyone. I mean, she's afraid of Rosemary but could easily dispatch her without much effort? The one guy she has a connection with, and who could possibly help her overcome her mental dilemma, she wants to destroy without even considering a compromise? The humans fear and hate demons because the demons terrorize them, so the demons continue to terrorize humans because they are resentful at being shunned and hated? This kind of circular, nonsensical writing only exists to force a plot where the author hasn't fully thought out the details or is simply too lazy to include any real complexity. This really only works if the main appeal of the narrative elements (the art and lewdness) is appealing enough for people to overlook such a shortcoming. Unfortunately, I don't believe it works well enough in this series.

I get the impression the desire to translate this series is losing steam, especially since the last release was more than 4 months ago. Oh well, another one shelved.
 

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