My complaints:
- The dream sequence thing is just stupid. Both the first one that introduces her to us and the second one that is there for some kind of comedic effect.
- You can argue that she’s a strong person, but with scars like that and what the fire caused her to lose is traumatizing. You can feel that in the first part of chapter 2, but you don’t really feel like she’s particularly affected by it. Even if you’re a hardened badass, those are things that will keep you up at night.
- A little too light-hearted in Chapter 2. To go from a nightmare where she hangs herself out of misery to joking about killing herself from disappointment is a rather sudden and unwelcome tone shift. Something like that takes time and several chapters of character development.
- While the characters themselves are nice, you don’t exactly get a good feel for how what they’re like as individuals. They seem very generic, despite them both being scarred people with morbidly interesting pasts.
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My appraisals:
- The character design. Both of them have great designs, though the main character is obviously the better of the two. I like the design of their
, I feel like if more effort would be put into it, a great number of unique characters could come out of this.
- The concept. Writing about victims of any tragedy is hard, but the idea of a burn victim as a heroine who is reunited with a childhood friend from before the fire is a naturally good plot. With work, I really believe this could be a masterpiece.
- Realism. She has scar tissue covering the left sides of her face and arm, and would need to take care of this. Scar tissue, especially that on burn victims, can be pretty messed up and difficult to take proper care of. And leaving it open for all to see isn’t exactly the norm for Japanese society. That and the fact that her left eye is obviously damaged, but she shows no sign of being limited by a lack of depth perception, etc. This is all likely due to the short length of the comic, though.