There are two possibilities.It took me a bit to get what that sequence of eye panels were meant to be, but I think it's supposed to be Hilda staring at the granny and then when her eye turns to us, she is looking at Adrian? I wonder why there is so much emphasis put on this
I would think looking at the aftermath rather than the process is less…traumatising, cause you gotta witness the struggle, then the killing blow, then the twitches from the body as the eyes slowly lose their light, then going limp, and all the blood, and the smell of blood, and his face while doing the act.Didn't she primarily go so she could watch how the sacrifices go down?? What's the point of being there (aside from giving Adrian emotional support) if she's just gonna stand outside the room?
I read it as her seriously coming to terms with the fact that someone she is familiar with (and not some random, faceless "character") is about to be killed soon, and that she's actually about to just let it happen/be complicit in it. Her mentioning it beforehand, followed by the granny calling her by name directly prior makes it feel like that's the point here. So then, going with that, it'd be Adrian, and by extension us from his perspective, carefully observing her to see how she'll deal with having this realizationIt took me a bit to get what that sequence of eye panels were meant to be, but I think it's supposed to be Hilda staring at the granny and then when her eye turns to us, she is looking at Adrian? I wonder why there is so much emphasis put on this