If you track both the press releases about the takedowns and the titles/publishers affected by takedowns, it's apparent that the Koreans are more active than the Japanese on that front. In many of those it's pretty clear the Japanese publishers are just along for the ride. Most of the Japanese focus seems to be on preventing domestic piracy, and the international efforts they make seem to target top titles - realistically, if a side had just JP -> EN scanlations of smaller titles, it's not a stretch to think they could stay off the radar for quite some time. The Koreans, on the other hand, tend to go full scorched earth and try to get everything pulled down.
I think we can reconsider our opinion about JP publishers, especially after seeing news like this:
https://coda-cj.jp/en/news/830/
I mean, yeah, Japanese seems more passively on surface. But, remember, they had 本音と建前 (
honne/real-face and
tatamae/public-face). They may seems just nodded and smiled politely, but in back, they prepared a deadly poisonous knife to stab us. Japanese is one of the top copyright hunting leader. Even the aggresive one, Korea, is their student. If we were to make an analogy, Korea is like a noisy student, while Japan is like a calm, experienced teacher. Korea, commonly by PCock, always being loud in public. But Japanese, they just calming down, say nothing, but tracking the evidence and law gap for attacking later with the lawsuit. Also, Japan, led by CODA, actively opening some partnership in copyright hunting. Their most known partner is China and Korea. But, there's also US, Brazil, Indonesia, or elsewhere whenever we didn't know since they think they not had to press releasing about it. They also actively and quietly sharing the intel between them.
https://coda-cj.jp/en/news/794/
https://coda-cj.jp/en/news/767/
https://coda-cj.jp/en/news/791/
Further, their government (Japan) also funding on AI development on pirate sites and illegal content tracking (
link1;
link2). They aim to make it work "
as early as in fiscal 2026."
But, of course, we can't deny that the animanga expansion and today manga's illegal access also comes from their "secretly permissive" act. Japanese publisher forgiving a lot, but also targeting the big fishes that can make the shock and deterrent effect widely. So yeah, maybe we can consider them both as balancing approach from Japan :3