Gyakkou Shita Akuyaku Reijou wa, Naze ka Maryoku wo Ushinattanode Shinsou no Reijou ni Narimasu - Vol. 6 Ch. 30

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Slightly unrelated but I must say: the concept of the saintess always being engaged to the crown prince is still sorta novel to me no matter how many of these I read, since, growing up Catholic, chastity is pretty important in being ordained a saintess
Chastity doesn't necessarily mean abstinence. It simply means that you maintain a lifestyle free of premarital intimacy and adultery. The definition of chastity being absolute celibacy is archaic and started falling out of fashion during the Renaissance.

Of course, we all know the Renaissance was a pretty wild shift in the culture and morality of Western Europe. I mean, just look at Shakespeare - lots of sex, thinly veiled crude humor, as well as fratricide and regicide.

A great example of this cultural shift in action was the composer, Vivaldi. He actually helped educate many young women who were bastard daughters of prostitutes. In fact, a lot of the music he composed was for the orphanage where he educated these girls - his most popular violin concerti, The Four Seasons, was written for this exact purpose. These girls weren't just educated, they were taught to entertain and perform.

But why go to so much trouble for daughters of prostitutes? Well, it's pretty damn genius.

The thing is that ugly prostitutes weren't popular among nobles, so on top of being gorgeous, they were also very likely to be some unknown nobleman's bastard daughter. And this combined with Vivaldi's work to ensure they were well educated, able to perform and entertain, and properly lady-like? This meant that while their bastard status didn't land them any spots among first-born sons of nobles, they were absolutely perfect for the second and third sons. Doubly so for not having any ties to political rivals that could be used to upset the family they married into.

It was a win-win for everyone, and one of those things that characterized the Renaissance era - suddenly being a bastard child was no longer a deal-breaker.

Which kinda leads into what has me giving this whole setup the hairy eyeball. But I'll get into that in my next post here...
 
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Slightly unrelated but I must say: the concept of the saintess always being engaged to the crown prince is still sorta novel to me no matter how many of these I read, since, growing up Catholic, chastity is pretty important in being ordained a saintess

I'd think the part where a Saint has to be dead is the more important part.
 
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Good boy, he're hopping the saintess can redeem herself quickly because she's still acting like a complete cunt.
 
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is the king being a dick or is he being manipulated?
No, likely he's on the up and up, just being a dick. Reminder, the Saintess is a desperate girl trying to go home and, importantly, AVOID EGO DEATH, and can think of no other way to do it. She knows she's being The Worst, but she's considered it worth it so long as she can get home.
 
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No, likely he's on the up and up, just being a dick. Reminder, the Saintess is a desperate girl trying to go home and, importantly, AVOID EGO DEATH, and can think of no other way to do it. She knows she's being The Worst, but she's considered it worth it so long as she can get home.
The problem with the saintess's goal here is
She doesn't take into account extreme measures people might take in this kind of situation, while not common, a prince dethroning their father, assassins coming for the saintess, etc, if the ml was more of a byronic hero regicide or destruction of royal legitimacy are also options, not to mention the king is now making a enemy of the only person with a dark spirit in the kingdom which no one knows the capabilities of, i know what she's trying to do and what the story goes on after this, but i really can't understand her logic here since this would likely cause even worse problems if this was being more realistic for her, not to mention it utterly destroys any chance the prince will come to love her.
 
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Slightly unrelated but I must say: the concept of the saintess always being engaged to the crown prince is still sorta novel to me no matter how many of these I read, since, growing up Catholic, chastity is pretty important in being ordained a saintess
Another thing that is important in order to be a saint (of any gender) in Catholicism is that you gotta be dead. Living people can't ever be canonized.
 
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Is it just me, or is eloping a viable option here? They already have to hide a bunch of stuff about the dark spirit, may as well go all the way and research it fully in a setting more conducive to getting input from the spirit king of light.

The risk to Rachel's family is greatly reduced if they elope on their own, and without an official repinquishing of royal status, they can come back to reclaim it after the saintess blows up her own mess on her own. If chaos happens, that will undermine the saintess' cultural value to the people.

The prince already has high standing with everyone, and rachel is pretty well liked. The king will be the one to look like a fool for throwing his son under the bus for politics and replacing him immediately. In the first place, the spirit king wasn't a fan of politics in the first place, and the spirits should be recognized as a diplomatic entity at least as important as a neighboring country.
 
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The problem with the saintess's goal here is
She doesn't take into account extreme measures people might take in this kind of situation, while not common, a prince dethroning their father, assassins coming for the saintess, etc, if the ml was more of a byronic hero regicide or destruction of royal legitimacy are also options, not to mention the king is now making a enemy of the only person with a dark spirit in the kingdom which no one knows the capabilities of, i know what she's trying to do and what the story goes on after this, but i really can't understand her logic here since this would likely cause even worse problems if this was being more realistic for her, not to mention it utterly destroys any chance the prince will come to love her.
Her logic is simple and, to me, comprehensible:

What other PLAUSIBLE option does she have to return home? Gotta answer that before anything else. If the answer is 'nothing', like it honestly so far hints, then...you take the option available to you. It's not like there's a convenient magic or portal to resolve the issue, and no one's exactly giving her any hints. Again, she is A: desperate, and B: losing her memory of who she is by the DAY. She quite literally doesn't have the time to go investigating long-shot options; 'beating the game' is likely the most plausible way to 'exit the game' that she can think of, and to me it's entirely understandable. It's not a matter of avoiding extreme measures or anything like that; it's literally 'Try this option or die in all the ways that matter.' As far as she's aware she has no choice. And she's more right than even SHE knows. There is no hope for her, but she doesn't want to just lay down and give up because fuck me, Ego Death is TERRIFYING.
 
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Kill the douche king/father imo. Wouldn't be the first time in history and would be deserving
 
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Chastity doesn't necessarily mean abstinence. It simply means that you maintain a lifestyle free of premarital intimacy and adultery. The definition of chastity being absolute celibacy is archaic and started falling out of fashion during the Renaissance.

Of course, we all know the Renaissance was a pretty wild shift in the culture and morality of Western Europe. I mean, just look at Shakespeare - lots of sex, thinly veiled crude humor, as well as fratricide and regicide.

A great example of this cultural shift in action was the composer, Vivaldi. He actually helped educate many young women who were bastard daughters of prostitutes. In fact, a lot of the music he composed was for the orphanage where he educated these girls - his most popular violin concerti, The Four Seasons, was written for this exact purpose. These girls weren't just educated, they were taught to entertain and perform.

But why go to so much trouble for daughters of prostitutes? Well, it's pretty damn genius.

The thing is that ugly prostitutes weren't popular among nobles, so on top of being gorgeous, they were also very likely to be some unknown nobleman's bastard daughter. And this combined with Vivaldi's work to ensure they were well educated, able to perform and entertain, and properly lady-like? This meant that while their bastard status didn't land them any spots among first-born sons of nobles, they were absolutely perfect for the second and third sons. Doubly so for not having any ties to political rivals that could be used to upset the family they married into.

It was a win-win for everyone, and one of those things that characterized the Renaissance era - suddenly being a bastard child was no longer a deal-breaker.

Which kinda leads into what has me giving this whole setup the hairy eyeball. But I'll get into that in my next post here...
Didn’t know Vivaldi could be any more based, and yet here i am, proven wrong.
 
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Her logic is simple and, to me, comprehensible:

What other PLAUSIBLE option does she have to return home? Gotta answer that before anything else. If the answer is 'nothing', like it honestly so far hints, then...you take the option available to you. It's not like there's a convenient magic or portal to resolve the issue, and no one's exactly giving her any hints. Again, she is A: desperate, and B: losing her memory of who she is by the DAY. She quite literally doesn't have the time to go investigating long-shot options; 'beating the game' is likely the most plausible way to 'exit the game' that she can think of, and to me it's entirely understandable. It's not a matter of avoiding extreme measures or anything like that; it's literally 'Try this option or die in all the ways that matter.' As far as she's aware she has no choice. And she's more right than even SHE knows. There is no hope for her, but she doesn't want to just lay down and give up because fuck me, Ego Death is TERRIFYING.
The problem i see with this is that it's a zero sum game, this won't work, 5 seconds of logic from her would make that clear, the smart thing to do would be to
actually talk to the ml and fl about her situation directly and try to come up with a solution, instead of making a enemy of the 2 people who might be able to figure out a way to fix this, not to mention she's ignoring the light spirit's advice if i remember right.
Of course this is with me looking at it from the current known knowledge about her, i know she get's her happy ending in this world but if we apply real world logic, even with her going through ego death, her actions essentially guarantee failure if the characters had any form of self awareness, which it's obviously shown.
 
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REGICIDE
NOW
Surely a lady who threatens the kingdom and king with an ultimatum would make a wonderful mother of the nation 🙄
Wait, when did the Saintees demand a royal marriage and threaten to leave for another country? Is the emperor making that part up?
That's what I was wondering. From what I've seen, the saintess seems hesitant to break them up. There was talk about a church being involved in one of the previous chapters, so I wonder if that's involved.
Story's plot better be DIRE of she's willing to go this far to prevent whatever it is from happening.
is the king being a dick or is he being manipulated?
Okay, sorry this took so long, but I got roped into painting someone's room, and things have been stuck in limbo because of that - so-and-so needs their room ready so they can stop sleeping on the couch, etc...

Oh, and MD's servers crapping the bed, too. Argh.

So, as I mentioned in my previous post about bastard daughters and nobility... Yeah, that's kinda got me scratching my head a bit as well, so I'm gonna do a bit of deconstruction here.

As some of you have implied, rulers actually have been assassinated in the past for lesser offenses than this. In fact, I would even say that this is outright foolish and idiotic move for a ruler to make. Which leads me to believe that it's one of three things.
  1. The King actually is this foolish.
  2. Someone, likely the church, has some kind of leverage on him.
  3. The Saintess pulled some kind of mind-whammy on him.
Number 3 doesn't seem likely.

While Anna (The Saintess) seems to be confused about the scenario not playing out as it does in the game she played, she doesn't seem quite that desperate. But I wouldn't rule out her involvement entirely.

Now, I know ya'll are thinking, "But why would the Spirits make Anna the Saintess if she was going to do that?" Well, I don't think the Spirits are quite as aligned with humanity here as you might be thinking. They're more interested in the world as a whole, and not just a couple of human nations. So if this is the case, then I believe it's a matter of someone being given enough rope to hang themselves. If this girl really does go down the wrong path, then she's very likely to cause all the people who are problematic to come out of the woodwork and side with her.

And once she falls out of grace, she'll wind up taking those people down with her. It'd be a very sad and sucktastic way for her to go, but it'd be par for the course as far as parables go. Hopefully, for her sake it will be evident that she really didn't realize the impact she was having and get off with a relative slap on the wrist - probably getting stripped of her noble status.

And really, seeing as how she has been absolutely heedless of noble etiquette, combined with her thinking this world is just a game, it is a very strong possibility that does not know the havoc she's wreaking.

Number 2 is probable.

Skimming earlier chapters, I was reminded that there was a plot to kill Rachel's dark spirit familiar. And after Priest Alois blew the whole thing wide open, any further investigation into the matter was hushed up by the church, stating that they'd handle the matter privately. They put a smokescreen on the whole thing by coming out with a proclamation about dark spirits and how they'd take no action against Rachel.

Which means there is very likely something going on in the background.

Poor Anna is just an unwitting pawn in this scenario. And given how easily she goes off trying to "play the game", I strongly suspect that the Church will attempt to use her as a marionette to influence politics to their favor.

Not that I believe she's confided with anyone about the whole "game" thing, but I suspect that people in the church have noticed that it's very easy to direct her with a few suggestions. All they'll have to say is that something is for the good of the people and the righteous thing to do, and then she'll be off on her mission as the hero of the story.

Number 1 strikes me as being the most likely.

This King seems to be a very ruthless sort, and his primary goal is to court popularity among the common folk. Which is actually pretty smart. If you're popular among the people you rule, then you're better able to spin the news however you like.

However.

We saw early on that there is still strife in the nation. Enough that the Crown Prince has made it his personal mission to help the citizens in his nation that are destitute once he becomes King.

That said... Popularity only takes you so far. This is what calls his actual wisdom into question for me.

As has been mentioned in the comments, there is the questionable wisdom of putting a girl who goes begging for favors into place as the future queen of their nation. Even if Anna won't have any actually delegated powers to her, being a King's Consort has it's own defacto political power. Having such a weak personality who'd go to anyone to get what she wants for herself... yeah. That wouldn't fill me with any confidence at all.

In terms of realpolitik, someone like that would be far too easily swayed by bad actors. And if this King was truly wise? He would have seen that she'd be a liability the moment she went before him to ask for the Crown Prince's hand. Not unless Anna demonstrated that she had something more to offer than just being The Saintess.

But it has been specifically stated that he would prefer her to be the "Mother of the Nation". Which means that it's more than just a symbolic thing. He knows and understands that whatever she does is going to have an impact on their nation.

Also, we know that her sole leverage against the King has been that if she isn't given what she wants, then she'll go to the neighboring kingdom instead. It's obvious that the Crown Prince's informant heard the entire audience session, so it's not like there was any backroom deals being worked out. (At least, not that we know of, but I don't believe this is the case.)

Furthermore, there's the slap in the face that this involves.

The Noble Rank of the Rachel's family is "Marquess". And that's a pretty big fucking deal. While a Marquess is second to the highest Noble Rank of "Duke" (unless they have Grand Dukes or Archdukes), they are always entrusted with an incredibly important role: border territories.

What this means is that your family is implicitly entrusted not just with defending a portion of your nation's border, but also receiving diplomats from neighboring nations. I cannot express how critical of a position this is. If you're a Marquess, you're wearing two hats - one as a military commander, and another as a diplomat.

What this means is that the daughter of a Marquess is absolutely perfect as a choice for a future King's Consort, and doubly so for one whose family has done nothing but shown unswerving loyalty and faith to the reigning sovereign.

But Anna, on the other hand, comes from a Baron's family. And we heard from the Teacher in Rachel's class that the title of Baron is the lowest ranked of the noble titles that are hereditary.

To put this into perspective, the typical noble ranks go like this, in order from lowest to highest:

Baron, Count/Earle, Marquess, Duke.

Baronets and Viscounts are subservient ranks and are typically not hereditary and not landed. Archdukes, on the other hand, are a higher level than dukes, but are typically only seen in empires where a prince needs a noble title in order to have the emperor delegate rulership of a region to them.

Anyhow, what this means is that Anna is trying to punch WAAAYYYY above her weight-class here by competing against a Marquess's daughter. Counts or Earles would typically be considered the bare minimum. Baronal families would need some very unique circumstances to even be considered for a marriage to the Crown Prince.

With this in mind, I feel that there are two ideal solutions.

One would be to betroth Anna to either the Second or Third Princes. Putting a girl with a personality like this as the future King's Consort is way too risky. She has absolutely no education in statesmanship - she can't even exercise proper etiquette! Putting her with one of the other two princes will limit whatever damage she might do while "keeping her in the family".

The other would be to let her go to that neighboring kingdom, but with a quid pro quo in place. For one thing, it's not like these two nations are on bad terms with each other. After all, the King married their princess, and she is the mother of the Crown Prince. It would be absolutely ridiculous - insulting, even - to say you don't have any political relations with your neighboring country in a case like this, even if there has been some bad blood in the past.

As for the quid pro quo? That would be that any daughters she has be sent back to be perspective brides for the next generation of royal princes. It would a perfectly fair trade - their neighbors get a Saintess, and in return any girls that have the potential to become another Saintess go back to them.

And it would be perfectly sensible make this into a traditional "Hostage Swapping" deal, as this was the traditional meaning of the word "hostage" - you, as a host, take in a hostage while sending them one of your own as a hostage. In return, the hostages are cared for as if they were you own family because their well-being is your assurance that whatever dealings you have with their family are upfront and straightforward.

It also helps that these daughters would likely be blood relations to Crown Prince's mother - very likely her nieces or grandnieces.

And these are just the most obvious solutions to me.

But the fact that this King doesn't seem to be entertaining any of these options... Like the old saw that was derived from Shakespear's tragedy, Hamlet, goes, "Something is rotten in the state of Denmark."
 
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The problem i see with this is that it's a zero sum game, this won't work, 5 seconds of logic from her would make that clear, the smart thing to do would be to
actually talk to the ml and fl about her situation directly and try to come up with a solution, instead of making a enemy of the 2 people who might be able to figure out a way to fix this, not to mention she's ignoring the light spirit's advice if i remember right.
Of course this is with me looking at it from the current known knowledge about her, i know she get's her happy ending in this world but if we apply real world logic, even with her going through ego death, her actions essentially guarantee failure if the characters had any form of self awareness, which it's obviously shown.
The problem is that she's still stuck on the idea that she's supposed to play a role.

Which is actually a very Japanese thing to do.

Conformity.

You do not stray outside the lines delineated by society. You do only what you're supposed to do, nothing more and nothing less.

Please note that this is not to say that it's a healthy mindset. In fact, we've seen more than a few MCs in these mangas where their FUCK ALL THE THINGS attitude makes it obvious that the mangaka/author is absolutely railing against the traditional Japanese societal norms. And the character, Anna, in this manga seems to be a deconstruction of what the typical Japanese mindset will do to a person when they're caught between a rock and a hard place.

She's not gifted with the psychological flexibility to adapt. Adapting is a Western thing. Oriental mindsets can be summed up as "Play the role you've been given or die." And with hardly any room at all for anything else in between.

(Ever wonder why suicide is such a big deal in Asian cultures? Theeeerrrre it is. If you cannot perform your role in society, then you're just in everyone else's way. Time to stop taking up that air that others can be using! Let's go have a date with Train-kun or go hang out with our cool bro, Gravity!)

I'm pretty sure that this is why Anna is practically shitting platinum bricks here. She is absolutely terrified because her role is being rendered moot and invalid, which completely short-circuits her Japanese sensibilities.

In fact, you can even say she is literally having a segfault because she's trying to figure out what to do, but her psyche is blocking out what we would consider sensible options - just like a program trying to access data that does not exist.

She can't think of any way around this because that would mean stepping outside of her role as the main character she's supposed to portray, and she doesn't know what else to do except to either force the scenario, or die trying.
 
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I know there's a whole side manga explaining the saintess' side of things as well as all the comments in the spoilers but instead of feeling sorry for her, I'd rather marinate in my spite. The thought of being a relationship-wrecker for my own gain sets my teeth on edge.
 
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Okay, sorry this took so long, but I got roped into painting someone's room, and things have been stuck in limbo because of that - so-and-so needs their room ready so they can stop sleeping on the couch, etc...

Oh, and MD's servers crapping the bed, too. Argh.

So, as I mentioned in my previous post about bastard daughters and nobility... Yeah, that's kinda got me scratching my head a bit as well, so I'm gonna do a bit of deconstruction here.

As some of you have implied, rulers actually have been assassinated in the past for lesser offenses than this. In fact, I would even say that this is outright foolish and idiotic move for a ruler to make. Which leads me to believe that it's one of three things.
  1. The King actually is this foolish.
  2. Someone, likely the church, has some kind of leverage on him.
  3. The Saintess pulled some kind of mind-whammy on him.
Number 3 doesn't seem likely.

While Anna (The Saintess) seems to be confused about the scenario not playing out as it does in the game she played, she doesn't seem quite that desperate. But I wouldn't rule out her involvement entirely.

Now, I know ya'll are thinking, "But why would the Spirits make Anna the Saintess if she was going to do that?" Well, I don't think the Spirits are quite as aligned with humanity here as you might be thinking. They're more interested in the world as a whole, and not just a couple of human nations. So if this is the case, then I believe it's a matter of someone being given enough rope to hang themselves. If this girl really does go down the wrong path, then she's very likely to cause all the people who are problematic to come out of the woodwork and side with her.

And once she falls out of grace, she'll wind up taking those people down with her. It'd be a very sad and sucktastic way for her to go, but it'd be par for the course as far as parables go. Hopefully, for her sake it will be evident that she really didn't realize the impact she was having and get off with a relative slap on the wrist - probably getting stripped of her noble status.

And really, seeing as how she has been absolutely heedless of noble etiquette, combined with her thinking this world is just a game, it is a very strong possibility that does not know the havoc she's wreaking.

Number 2 is probable.

Skimming earlier chapters, I was reminded that there was a plot to kill Rachel's dark spirit familiar. And after Priest Alois blew the whole thing wide open, any further investigation into the matter was hushed up by the church, stating that they'd handle the matter privately. They put a smokescreen on the whole thing by coming out with a proclamation about dark spirits and how they'd take no action against Rachel.

Which means there is very likely something going on in the background.

Poor Anna is just an unwitting pawn in this scenario. And given how easily she goes off trying to "play the game", I strongly suspect that the Church will attempt to use her as a marionette to influence politics to their favor.

Not that I believe she's confided with anyone about the whole "game" thing, but I suspect that people in the church have noticed that it's very easy to direct her with a few suggestions. All they'll have to say is that something is for the good of the people and the righteous thing to do, and then she'll be off on her mission as the hero of the story.

Number 1 strikes me as being the most likely.

This King seems to be a very ruthless sort, and his primary goal is to court popularity among the common folk. Which is actually pretty smart. If you're popular among the people you rule, then you're better able to spin the news however you like.

However.

We saw early on that there is still strife in the nation. Enough that the Crown Prince has made it his personal mission to help the citizens in his nation that are destitute once he becomes King.

That said... Popularity only takes you so far. This is what calls his actual wisdom into question for me.

As has been mentioned in the comments, there is the questionable wisdom of putting a girl who goes begging for favors into place as the future queen of their nation. Even if Anna won't have any actually delegated powers to her, being a King's Consort has it's own defacto political power. Having such a weak personality who'd go to anyone to get what she wants for herself... yeah. That wouldn't fill me with any confidence at all.

In terms of realpolitik, someone like that would be far too easily swayed by bad actors. And if this King was truly wise? He would have seen that she'd be a liability the moment she went before him to ask for the Crown Prince's hand. Not unless Anna demonstrated that she had something more to offer than just being The Saintess.

But it has been specifically stated that he would prefer her to be the "Mother of the Nation". Which means that it's more than just a symbolic thing. He knows and understands that whatever she does is going to have an impact on their nation.

Also, we know that her sole leverage against the King has been that if she isn't given what she wants, then she'll go to the neighboring kingdom instead. It's obvious that the Crown Prince's informant heard the entire audience session, so it's not like there was any backroom deals being worked out. (At least, not that we know of, but I don't believe this is the case.)

Furthermore, there's the slap in the face that this involves.

The Noble Rank of the Rachel's family is "Marquess". And that's a pretty big fucking deal. While a Marquess is second to the highest Noble Rank of "Duke" (unless they have Grand Dukes or Archdukes), they are always entrusted with an incredibly important role: border territories.

What this means is that your family is implicitly entrusted not just with defending a portion of your nation's border, but also receiving diplomats from neighboring nations. I cannot express how critical of a position this is. If you're a Marquess, you're wearing two hats - one as a military commander, and another as a diplomat.

What this means is that the daughter of a Marquess is absolutely perfect as a choice for a future King's Consort, and doubly so for one whose family has done nothing but shown unswerving loyalty and faith to the reigning sovereign.

But Anna, on the other hand, comes from a Baron's family. And we heard from the Teacher in Rachel's class that the title of Baron is the lowest ranked of the noble titles that are hereditary.

To put this into perspective, the typical noble ranks go like this, in order from lowest to highest:

Baron, Count/Earle, Marquess, Duke.

Baronets and Viscounts are subservient ranks and are typically not hereditary and not landed. Archdukes, on the other hand, are a higher level than dukes, but are typically only seen in empires where a prince needs a noble title in order to have the emperor delegate rulership of a region to them.

Anyhow, what this means is that Anna is trying to punch WAAAYYYY above her weight-class here by competing against a Marquess's daughter. Counts or Earles would typically be considered the bare minimum. Baronal families would need some very unique circumstances to even be considered for a marriage to the Crown Prince.

With this in mind, I feel that there are two ideal solutions.

One would be to betroth Anna to either the Second or Third Princes. Putting a girl with a personality like this as the future King's Consort is way too risky. She has absolutely no education in statesmanship - she can't even exercise proper etiquette! Putting her with one of the other two princes will limit whatever damage she might do while "keeping her in the family".

The other would be to let her go to that neighboring kingdom, but with a quid pro quo in place. For one thing, it's not like these two nations are on bad terms with each other. After all, the King married their princess, and she is the mother of the Crown Prince. It would be absolutely ridiculous - insulting, even - to say you don't have any political relations with your neighboring country in a case like this, even if there has been some bad blood in the past.

As for the quid pro quo? That would be that any daughters she has be sent back to be perspective brides for the next generation of royal princes. It would a perfectly fair trade - their neighbors get a Saintess, and in return any girls that have the potential to become another Saintess go back to them.

And it would be perfectly sensible make this into a traditional "Hostage Swapping" deal, as this was the traditional meaning of the word "hostage" - you, as a host, take in a hostage while sending them one of your own as a hostage. In return, the hostages are cared for as if they were you own family because their well-being is your assurance that whatever dealings you have with their family are upfront and straightforward.

It also helps that these daughters would likely be blood relations to Crown Prince's mother - very likely her nieces or grandnieces.

And these are just the most obvious solutions to me.

But the fact that this King doesn't seem to be entertaining any of these options... Like the old saw that was derived from Shakespear's tragedy, Hamlet, goes, "Something is rotten in the state of Denmark."
Not gonna comment on all of this, but i do want to point one thing out, we know why he's doing it, the end of the chapter heavily hints at the cause, anna told the king that if she doesn't get engaged to the prince she'll leave the country.
Again this is a ABSURDLY stupid thing to do on so many levels since she basically royally screwed the entire plot of the game even if it was one by doing what she did, essentially becoming a villainess if this was another story.
 
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If I weren't more aware of how sloppily manga tend to use English I would think that the fact that Rachel's signature appears to read as "Rathel" would be relevant to the plot and a potential way for her to get out of this mess (since it wouldn't be her real signature)

But I know in my head that its probably just a mistake by a mangaka that's not comfortable writing English, especially in a more cursive/scripty fashion.
She clearly bit her tongue while writing her name. :smugnako:
 

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