No allowance? Is that such a cruel thing? When I was a boy, I once asked my father "Why don't we get an allowance?", to which he responded with a question of his own; "Why don't you pay rent?"
The characters themselves are not great, but there's a lot to like here. I really appreciate the author having the courtesy to abstain from lengthy exposition describing who and what everything is. The reader more or less figures everything out on the go.
Something tells me the artist has never spent any time in the desert. People in the desert dress in a particular way for a reason, because it's very hot. Seeing maid dresses and western suits in the first chapter immediately broke any suspension of disbelief for me.
It's not that the women of the Red Army were forgotten, there's just far more focus on the men that fought and died because there were far more men that fought.
I fail to see the point in gender-bending the MC if it has no impact on the story. It does not seem to negatively affect the MC's ability to fight in the slightest. I get that magical enhancements are a thing, but there were no signs of him using such skills in his previous life, and he spent...
I understand that having an all-women unit is simply an artistic liberty taken by the author to have cute girls in military uniforms, but I must say that in an era where the bayonet is the decisive arm in an engagement, having women in service at all is even more ill advised than usual.
The motivations for Klara to become a soldier are far weaker than for Sarka, especially given that she simply desires to become a mother and give Sarka and Johann many grandchildren. Sarka became a soldier initially out of desperation and remained a soldier out of a sense of duty to her friends...