Taida na Akujoku Kizoku ni Tensei shita Ore, Scenario wo Bukkowashitara Kikakugai no Maryoku de Saikyou ni Natta - Ch. 10 - Each of Their Growth

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Is still another world, just one you know and he was able to reap a lot of benefits early, in fact a good author would show us how obsolete game knowledge become, hopefully this one pulled it

In general like fics play that way, once the SI future knowledge become less reliable as canon is fully derailed, become more ficiton set on the world,
So why don't these stories just have Vincent start off in a world of sword and magic and is hardworking and get the girls as the story unfold.

Instead of being an reincarnator taking over Vincent and makes him now a hardworker and thus get the girls as story unfold?

Other than the audience is informed that he isn't suppose to be hardworking and getting the girl. But now that he is why did we need to know he wasn't suppose to?

Dragonball didn't need to be an isekai.
 
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I just hope the author doesn't make another one of those works where the protagonist, even though he kills himself training, is still weaker than all the other characters, because when that happens they practically become plot armor resources to save him from death for being weak and stagnating the true value of evolving as a person because there will always be someone to save him even in impossible moments.

I don't mind having characters stronger than the protagonist, but it's tedious to see him being dependent throughout the entire work because they're always going to save him.
 
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So why don't these stories just have Vincent start off in a world of sword and magic and is hardworking and get the girls as the story unfold.

Instead of being an reincarnator taking over Vincent and makes him now a hardworker and thus get the girls as story unfold?

Other than the audience is informed that he isn't suppose to be hardworking and getting the girl. But now that he is why did we need to know he wasn't suppose to?

Dragonball didn't need to be an isekai.
Funny as DB come from adapting a popular work(the spirit) yet people forget that, my gripe with isekai is that they forgot the sekai part, we needs a sekaikan/world that show why the switch, here feel more like a hybrid of sao but taking over a characther

i blame gaming obssesion
 
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Maybe it's cause I've (thankfully) avoided a lot of middling to outright garbage villain isekais, therefore dulling my taste of Good Shit a bit, but this is turning into a big favorite - think the last time I got this into the worldbuilding was with RTA Sousha wa Game Sekai kara Kaerenai and WataOshi, though admittedly this one isn't quite as intricate and laid out as those two.

Also helps that A) the art's been consistently great, and B) this is really good at balancing the humor with the serious stuff.
I just read the entirety of RTA and oml it was absolutely incredible. Love the suggestion
:hearts:
 
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I still can't get over the fact that "Duke Billian" isn't a duke. What a confusing name, LOL.

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S.T.A.R.S.
 
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So why don't these stories just have Vincent start off in a world of sword and magic and is hardworking and get the girls as the story unfold.

Instead of being an reincarnator taking over Vincent and makes him now a hardworker and thus get the girls as story unfold?

Other than the audience is informed that he isn't suppose to be hardworking and getting the girl. But now that he is why did we need to know he wasn't suppose to?

Dragonball didn't need to be an isekai.
Simply said, because changing the fate of predetermined characters was a booming genre back in the day. And this one, facing hundreds of similar works under the same genre, won and become the popular one, published, instead of the others. And we are not their main market audience, we are just a bonus. Hell, I don't know if this will ever get official translation over time. Also, this story came out in 2023...
 
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Simply said, because changing the fate of predetermined characters was a booming genre back in the day. And this one, facing hundreds of similar works under the same genre, won and become the popular one, published, instead of the others. And we are not their main market audience, we are just a bonus. Hell, I don't know if this will ever get official translation over time. Also, this story came out in 2023...
And I will venture a guess that the first guy that came up with that genre was still low key with their approach where the protagonist, while still altering the events, is mainly bracing himself for the bad outcome while taking advantage of knowing what's going to happen and thus must keep the progression somewhat close to the original so that he can keep taking advantage of the game knowledge.

And since in these stories you don't really see the villains POV other than the final confrontation, so you get the leeway of being able to do whatever you want behind the scenes as long as the main plot beats still happen.

Then everyone starts apeing the concept and now we have derivative work where it might as well be original plot because the protagonist deviated right away.

What's the point of Pokémon isekai if right away Isekai Red quits being a trainer and work as a lab assistant and have nothing to do with being the very best.
 
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And I will venture a guess that the first guy that came up with that genre was still low key with their approach where the protagonist, while still altering the events, is mainly bracing himself for the bad outcome while taking advantage of knowing what's going to happen and thus must keep the progression somewhat close to the original so that he can keep taking advantage of the game knowledge.
I don't know who the first one that came with this genre, but earlier works are indeed like that. Some works even have the villain juggling between "Batman" and "Joker" just to make sure everything stays in line with the original story.
And since in these stories you don't really see the villains POV other than the final confrontation, so you get the leeway of being able to do whatever you want behind the scenes as long as the main plot beats still happen.
Yep, as long as the story progresses the same, it's no problem even if the villain creates a new massive organisation as a failsafe in case the story leads to bad end (multiple ending game story)
Then everyone starts apeing the concept and now we have derivative work where it might as well be original plot because the protagonist deviated right away.
Ain't this inevitable? People will modify older resources to the point of being a completely original path, same as Thesis, in a sense. What hasn't researched? But those university students still find new things based on old papers.
What's the point of Pokémon isekai if right away Isekai Red quits being a trainer and work as a lab assistant and have nothing to do with being the very best.
In my eyes, just to make a difference. It's like a "what ifs" scenario, and as long as it's written well, people will read it for the sake of exploring new ideas. In turn, some writers might get an inspiration and further deviates the original genre. It's inevitable, and the market audience likes it.
Try to open syosetu and you will see what concept is trending right now, and try to remember it. Few years from now those trends, if they can shake the market like "isekai" back in the day, will inevitably ends up here in this site as an adaptation.
 
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Thanks for the Translations !

R.I.P Carta, if it's not his wife that kill her out of jealoussy, it will be Milk (She will not take well that her "student" found a new private teacher XD).
 
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Oh yeah milk sensei come back!! Also, I believe that both girls don't want a third girl on the group... Epic comedy
 

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