Shinobu, a canonical artist of our age of Mammon, finally fixed the one incomplete work of his magnificent oeuvre.
Since it seems misunderstood, I will oblige to give the correct reading. The snitching game is the perfected synthesis of lies and truth that the story has thus established. The stated goal of creating the "Liar King" was never abandoned, but it was not understood until the end. Nao, Akiyama, and Yokoya, as the three recognized aspects of the Liar King, have their worldviews synthesized in the true Liar Game which is not any single individual, but the solidarity of the players unified as a people, as an empire of undying trust, nuanced wisdom, and total domination all at once.
As Evola had put it, "truth is a powerful error; error is a weak truth." The new empire, acting out truth in its own solidarity, under the strategic conception of
suum cuique, deceiving all its enemies following the biblical mandate to "be made all things to all men". This is of course the recurring theme of every act of Akiyama's from his own perspective as opposed to that of Nao's, but here it is extended beyond himself, to the whole of the initiate, to the thirteen, the symbolic significance of which is obvious.
The final resolution is also lovely. A clear reminiscence of the ILOVEYOU email virus spread across the world back in '99, but built not on the autonomous script, but the free will of the influenced, on the persuasive strength of the message itself, an instantaneous, unerasable transmit directly to the minds of men. The social media posts are in the end not fundamental at all, but just evidence, itself secret in its meaning, not meant to spread to the masses, but to speak only to those already aware. It simply shows the change in the souls of men who will themselves, with no need of aid, of the artificial machine of Mammon, to believe one another.
It's also far too on the nose not to drop the esoteric reading lol.
"We like to hope that the memory of the One-before-the-last and most heroic of all our Men “against Time”—Adolf Hitler—will survive, at least in songs and symbols, in that long Age of earthly Perfection which “Kalki,” the last One, is to open. We like to hope that the Lords of the new Time-cycle, men of his own blood and faith, will render him divine honours, through rites full of meaning and full of potency, in the cool shade of the endless re-grown forests, on the beaches, or upon inviolate mountain-peaks, facing the rising Sun.
But even if it be not so, still he will, like all his divine predecessors, live, throughout the ages in the faithful consciousness of the Universe, the life-rhythm of which he symbolises. Still the long and more and more intense and finally almost desperate aspiration “against Time,” which characterises every recurring Time-cycle as soon as decay has set in obviously enough to be felt, will be, every time, a new expression of that self-same yearning after manifested Perfection for the sake of which he fought and lost, a new, long-drawn cosmic outcry, proclaiming that he was right in spite of all. And still every further Golden Age to come—every successive Dawn of Creation—will be the living materialisation of his highest dream, a further hymn of glory, proclaiming, every time for myriads of years, that he—He—has once more won."
- Savitri Devi