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...What was Minerva planning to do if Uhei plugged his ears too? Also really, they survived that jet crash? Really? A nice ending, but this was definitely one of Fujita's sillier works.

The image of Uhei popping out of a fighter jet to shoot something with a shotgun as it's flying perfectly vertical at Mach Fuck is a hilarious sight. It also brings up the question, why not kill the owl using the jet? If the bullets and missiles don't work, what about ramming it with a few tons...

Page 5 really makes the beak look like a nose instead, old man looked like Pantalone. So it turns out Uhei uses a Murata shotgun, not rifle, and by 18 cal he meant 12 gauge slug (I'm assuming, based on the intro. Maybe he thought birdshot wasn't lethal enough?). If I had a nickel for every...

The Murata used an 11x60mm cartridge, not a chance it could stop a bear, no idea where Fujita got the 18 (mm?) cal from. If it was 18mm, that would be an enormous rifle caliber, the only guns I know of that fired something that large were the Prelaz-Burnand and the Tabatiere, both of which are...

Surprised the old man can still move 13 years later, he already looked in his 70s in the beginning. Also, are we really to believe that snipers, automated weapons systems, and chemical weapons couldn't kill Minerva, but some 90 year old man can? Remotely operated drones I could understand, but...

I just realized, Takoha never did actually use that gourd up until now, huh? Also, the multiverse thing is dumb, it undoes everything for this series. Takoha has always gone back in time, Souboutei has simultaneously existed and never existed, everything Takoha did in the past had already...

God damn, that is a good title drop. Also wow, never thought we'd get to see a smile that soft coming from Deido.

deidojak Also, call me dumb, but I have absolutely no idea what the final painting at the end is supposed to represent.

Not Deido with the slutty red eye liner :qq: Also, interesting perspective he takes on himself taking Kurenai as his model. I wonder if he accepts himself in a similar position that he placed Yomiza in, or if he still feels himself superior. And hmm, approaching 10 years in, and neither of...

man just got called mid

Deido making cowboy coffee will never stop being funny to me. And the poor boy, discovering what modern art is then realizing he was a modern artist himself...the horror... And the dig by Fujita at himself by calling his work "low art" and "easy to understand" despite having an entire final arc...

So time flows differently for them, but it still flows...so how did they go 3 years without stopping to eat, drink, sleep, piss, shit, rest, anything?

I'm surprised Takoha himself didn't pick up on this, but on page 4, Deido calls him Takoha, not Yomiza...Not sure if intentional or a slip-up from the author. I understand what he's saying, and I'm inclined to agree with him, but Deido doesn't seem to realize that humans have imaginations...

I just realized, at the scale things are going at...10 years of paintings...isn't it entirely possible Takoha is going to run out of "paint" long before Deido does?

On page 6, the leftmost painting--is that American Football?? Also, just when I think Fujita managed to make a happy-go-lucky, obnoxiously optimistic main character that lasts the whole plot through, he has him draw the darkest and creepiest shit ever, and has him go hard on the last page...

Rokurou hitting us with another death flag!

Hate to admit it, but Takoha's starting to look kind of badass in his own right.

Well, Shino should've started with that, would've saved her a lot of time.

...ruh-roh. :korone:

Well, if she could do that before, why the hell didn't she?