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Love turned Hatono into a tsundere with a teenage complex.

I just wanted to say that because of the "kira kira doki doki" effect, it's very easy for this scene to come across as a "random rom-com" rather than an important character meeting in context.

This was definitely meant to be a casual fighting manga :D

I love how cute and innocent the kidnapping of the female character by the monster is staged.

Judging by the latest concept art, the author clearly can draw very well. But his penchant for similar hairstyles and clearly limited character designs let him down.

So, is this a case where a lot of things are context dependent, not just "tropes"? I mean, like, that bitch makes her "doki doki" because she can make a great show with her when she completely defeats her?

It's time to rename this manga to Cinderella Star. :lul:

A wallet with teeth, it's a flag... damn, today's chapter is just the peak of literature.

The difference is that Charles Perrault published his own author adaptations of fairy tales, while the Grimms, at least formally, published literary adaptations of folklore.

You implied that the Grimms had a separate version of the tale, so I assumed that by "the old French version" you meant the original folkloric version. But as far as I understood, you were talking about Charles Perrault's authorial version. This changes things somewhat, since Perrault did add...

Once again, "before the Brothers Grimm" is irrelevant; they wrote a literary version of a German folk legend that existed centuries before them. Both the German and French versions are different regional versions of the same folk legend. And as I've already said, a Freudian or feminist-gendered...

Of course. If you assume, Tina is the only member of the group (not to mention that her gimmick is built on masculine, male handsomeness anyway). It's like saying that Dream Theater is popular solely because of some one dude. Or that the author at some point scrapped the manga's entire idea of...

What I'm getting at is that there's no "old version" as such. There's a specific plot that was adapted into the literary version. It's like the ancient Greek myths and what you see in the Kratos game.

The Brothers Grimm were professional philologists and folklore researchers; I think they knew what they were doing. Moreover, they weren't so much writing fairy tales themselves as they were giving literary form to German folklore. But anyway, there are Freudian sexual interpretations for...

Judging by this arc, Aka has been reading Freud's works on psychoanalysis all this time, not the Brothers Grimm fairy tales.

According to research, many straight women are attracted to lesbian sex not because it's lesbian or because its hot, but because, unlike men, women are also aroused by the fantasy of experiencing pleasure, not by the interaction with a hot partner. Many straight women actually watch lesbian porn...

If it weren't a joke, I'd think I was living in a time when people had finally reduced the appeal of musical artists to sexual attraction...weren't a joke, right? :haa:

I think "don't worry, it will be fixed in the next chapter" should be the motto of this manga.

What?

I never thought I'd see a bishoujo moe manga where the typical "nostalgia in my kokoro" chapter includes a scene of drinking cans of beer, lmao. GENIUS.