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This is why you don’t take candy from strangers…um, wait. The detail of not-Hina’s hair growing is a cool visual indicator of her transformation away from Hina‘s appearance progressing quickly now that were in the final chapters. I can only hope Yuuma is going to trick the not-Hina with his...

Compared to other moms’ reactions, this story mom barely batted an eye when her daughter repeatedly mentioned the dead father. After the last panel, she probably calmly got the shovel out again. I wonder if the father could only utter “Here” because she hit him with the shovel and gave him a...

This story was so modern and paced so quickly, it didn’t have much fear/tension for me. There’s more tension in the opening panels for me. Yuuma’s room is completely fixed, poster and all, not-Hina is humming and tidying away, while Yuuma sweats bullets trying to think of what to do. Just like...

Not-Hina‘s last expression reminds me of the expression on the story girl‘s face when the zashiki warashi walked out the door. Just like the story girl, Not-Hina can see the finish line and is giddy. This shows that their goal was never to see Yuuma as she’s currently fulfilling, but to take...

I think the story is saying that although we may remember things differently of those who passed, they remain the same in the afterlife as they were alive. The father in the story was an absolute menace when drunk, scaring the mother and making the younger son blame the resulting mess of a...

Without seeing the raws, my guess is that the hidden message was conveyed by the combining the first syllables of each line in the letter, and then voicing it almost like a poem.

Comparing the story and what’s happening in Yuuma’s real life, Yuuma’s mom isn’t playing by the same rules as the ghost in the story. People are dropping like flies, and maybe this story is Yuuma’s way of telling his mom that ghosts should not affect/end the lives of the living, pleading with...

Thank you! When the last chapter drops, I’m reading all of these Yuuma ones, then bracing myself.

Every little flashback piece unlocked with each step and motion of going up the slide raised the scary tension higher and higher, until you get to the end and feel like the floor just drops out from under you. All of it playing out while his innocent son is encouraging him to comfort and defeat...

I did expect the wife’s identity to be revealed, but I still found it disturbing at the end. The man, who cowered at home during the strangle attempt, now flew in an absolute killing rage at the booth upon seeing them both side by side. It further enforced the idea they’re two separate people...

Hina, be a pal and let me know if you start dreaming of getting closer and closer to Yuuma, okay?

I kinda saw this coming when I saw the frame of the deceased sister after the youth comment. “The secret to staying young is having kids” “You‘re only twenty once in your life….yikes. Finding out all this she has less than 10 years to live that her own mother took years off her life that...

So…no proposal scene involving can of Oshiruko? Phooey.

I know we were given a possessed Hina story to reveal that they can speak and switch consciousness at will while keeping Hina’s mind separate, but I really wanted to hear a nice story from Hina right about now. Since her consciousness still exists and she isn’t completely replaced, I have hope...

Thanks for the chapter. The view from behind Yuuma was chilling. The way they avoided showing us what was in front of Yuuma was expected, but I wonder what other new places we will see as possessed Hina. We know that Hina was controlled by “us” before, in chapter 40, but we never saw from her...

yes! I’m glad you liked my comment about revisiting the first chapter, and the photo frame theory! I considered a sibling, but your comments about the pictured possibly being of biological parents would so much with how his parents interact with him now, and physically appear to “us” as well.

Thanks for the chapter. Poor Hina tries to help and escape only to have her own mind and body taken over, like the story. Unlike story I still hope she can escape.

I have the same theory, that “we” are a framed picture. Check chapter 1. There’s an outline of a what I think is a picture frame when the words “Hey, get this…” are shown, as if Yuuma is talking to a framed picture of a someone. Right after he explains the 100 ghost stories, he asks what happens...

Thanks for the chapter

It’s happening! I laughed too hard at the oshiruko, and am so relieved he asked her to go with him. I like how he gave her a gift with his color, as the can is purple.