Search results

If it's a card you've never seen and your opponent is using, it's unstoppable and will always resolve. When it's a card you stumbled upon and thought of a cool combo with, it'll miss the timing and people will laugh at you.

Cute little reference to his first appearance in Arachnid. I see Dino's more polite and less British than Megumi, though.

They gave her a good personality for a deck that responds to everything with another summon. I want to see her go against one of those players who asks "response?" after every move.

Do you want her to build a killer amusement park for you first or what?

This guy needs to level up his dad power. The answer is "yes, I watch TV when I'm alone".

Introducing the most necessary of Sky Strikers.

I think that could be the subtitle for this series. This chapter starts with Okina outlining a really interesting direction, only for it to immediately be shot down for the safe road of "talk to her so we can wrap this up".

It's been limping along for a while now, but it's still a bittersweet feeling to see it ending. Wish it could've been on a high note, though.

There are so many parts I love about this story, but the panel work does some amazing lifting. Feels like there should be a name for the perspective shift as Mikaze stumbles to her seat.

This must be the first time somebody was focused on Hijiri and forgot about Unzan.

Is it possible to get wet with schadenfreude?

Sawatari getting off-screened is the biggest loss here.

If it's not stupid, it's not Murata. As long as there's a segue into animal facts, it's a-okay.

Reminded me of that autobiographical Tezuka manga where he drew for an American soldier. Wonder how stuff like that works.

I'm not unfamiliar with the causes. It's a pet peeve precisely because I keep seeing it handled like this. Yes, Japanese frequently does stuff like omitting objects. Writers can use that kind of thing for ambiguity, like here. They can do that because it doesn't sound weird in Japanese to...

Did the writer save up writing points for this chapter? It was an excellent blend of emotional development, lore, and comedy.

This will always be a translation pet peeve of mine. Miyoi knows who Shion is, she refers to her with gender-specific pronouns three pages later, but she uses a gender-neutral one here just because the reader doesn't know.

Wonder if sales were slumping before this chapter.

Shouldn't it be crushing maternal love? (S)mothering, if you will?

It's always interesting to see differences when the tanks come out. I wonder if mentioning junior idols was too much for the web version, or if he just changed his mind.