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RUI-CHAN! Seriously though; this manga has some depth.

To everyone asking why they just don't put flour or paint on his face, this exact thing was explained in the chapter: Putting something on Kitou's face and then drawing what you see would be you drawing the stuff on Kitou's face, not his actual face. You can never get an accurate picture of him...

I did not think Kitou x Hebizono was the gift that I needed this Xmas, but it's sure as hell appreciated

Thanks so much for the TL!

I love how the author keeps dropping little hints about how this is some time in the future (probably around 2051, according to hints in the anime and manga) A war that wasn't WWII. The monorails. The flooded streets. A multiracial Japan. An international ban on trading in sequoia wood. It's all...

"Lord, make me chaste -- but not yet!" -- St Augustine

Having a memory issue -- can someone remind what chapter Sumire was photographed in?

Thanks for the TL!

Hypothesis: her venom is a hallucinogen that makes victims very susceptible to suggestion. Likely it's also "tuned" so that only Spider's voice works (like Bene Gesserit's Voice).

Thanks so much for the TL and typesetting. Such a joyful series.

That was indeed a satisfying ending to the arc. Wraps things up as far as the arc goes, but leaves a few crumbs to be dealt with later.

Better not try to put anything over on Grandma -- she knows all. Bet she's going to have a blast.

First-class typesetting. Well done!

Well. Vinnie Vega and Jules Winnfield have made their appearance.

Whoops. Double.

Kiyo named her pots and pans. No one else has a chance.

Think of them like business cards. They put up their name tags in businesses they frequent. Good for their publicity, good for the business.

Prez doesn't miss a beat. Guaranteed he's the centre of the entire school's gossip network. Nothing goes out, but he hears everything.

I am continually amazed at the sheer beauty of Kozue-sensei's artwork. Always just stunning.