I kind of agree; I really want to see the date on this to see what else was horror at the time.
Partly because, frankly, this does pretty much nothing for me, today, other than a 'What was the point of that?'... the message is a wee bit blunt and execution somewhat bland. In comparison, while a lot of Junji Itou's work, or that... radio frequency one elicits a similar response from me, there's a sense of perplexing disquiet underlying it that this one doesn't invoke. (And, sometimes, there's the screaming heebeejeebies that set in afterwards, which I doubt I'll be getting from here.)