@WhereTheYuriAt
I disagree. Forcing (not pushing,
forcing) someone to do something against their will, even if it is for "their own good," by doing things behind their back (saying Minato would go) or taking advantage of their feelings (by saying she would go with her), therefore arranging circumstances where the other person cannot refuse; pretending to acknowledge the other person's ultimate right to refuse (p.9) only to ignore it later and pressure the other person into making the choice that is "best for them" regardless of their will...
That's all NG, a breach of both trust and boundaries. When Hibiki did it the first time around, it felt like she could perceive that Minato wasn't opposed to joining the band, just scared; and she very much wanted her to join for selfish reasons.
This time, it feels like she's become fearful of either her feelings for Minato or Minato's feelings for her; and wants to put as much distance between them as possible. This entire chapter, she seems very eager to make Minato join the City Brass. It feels to me like her reasons are, once again, very selfish, and only thinly veiled in concern about Minato's future.
As for the "you're doing the same as your father," I think it's fairly obvious. For a lot of us socially awkward people, finding flaws in logic is a lot easier than producing emotionally compelling arguments.
Which is why, it was a lot easier for Minato to point out Hibiki's hypocrisy rather than say something more emotional or sugary, like "
Playing music is no fun without you"
Ultimately, they were both in the wrong, but Minato was on the receiving end of a lot more emotional pressure, both due to her shy personality and tendency to only complain nominally. Which is why, when Hibiki says "
You jerk!" at the end, it feels like she's being very selfish and is completely ignoring Minato's feelings for the past days; presumably out of gay panic.