Hiiragi-chan to Tomikawa-chan - Ch. 85 - A Choice

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And here we are! Poor Hiiragi, just happened to make a benign statement and accidentally tripped a landmine of trauma and regret. I'm sure things will get better now and won't possibly spiral out from here!

I am so curious to see the perspective of Tomikawa's brothers. "Don't blame us" can be taken so many ways. Do they agree that Tomikawa shouldn't have disappointed her mother? Or are they, too, victims of their mother's abuse, unable to step in and stand up for their younger sister without equally being abandoned? Will they one day be able to talk about their former abuse with their sibling as adults?

The most interesting part of the story is the character progression of the author, who went from
"My first big work is an exploration of a weird friendship-turned romance between two deeply hurt, deeply broken people" to "My second big work answers the question of what it's like to date an absolutely ENORMOUS BITCH with a pair of boobs big enough to feed half of Japan".
I suppose at some point you start to crave the simple, happy simplicity of happy-romance-with-big-women. Very relatable.

Those two actually started as random doodles on the author's twitter, before she eventually spun them off into their own thing. They're roughly contemporary to the chapter where Hiiragi got asked out to a dine-in cafe.

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I know I have no presence IRL, but this is almost comically bad!

What kinda cartoon villain ass parents do these two have?
The sad part is, this is very much rooted in real-life abuse tactics that are distressingly common in Japan, buoyed up by the old confucian gender roles.

Tomikawa got hit by the one-two punch of being a girl and being the younger third sibling in what appears to be a very strict, old-fashioned family. Her older siblings being two boys means she is already seen as lesser than them, if not a financial burden on the family unit. That she can't even perform as well as they can seals her fate, especially since once she marries she'll lose the family name 富川 and will be carrying on another family's name and lineage. In her mother's eyes, Tomikawa running away from home and dying in a gutter is just one less financial burden on the family. So she treats her as literally nothing - a non-entity that happens to occupy space in her home and eat her food.

And no matter how much Tomikawa acts out, it will never move the needle of her mother's affections even the tiniest bit.

As for Hiiragi's mother, hers is a DEPRESSINGLY common story. Woman has child out of wedlock, father abandons her, and unable to handle the pressures and responsibility of being a single parent to a child she never loved or cared about, defaults to a family annihilation option. With a side implication that she mayyyyyy have fallen in line with a cult (but this is just speculation based on some one-off lines).

If Shuukura was very subtextual in how broken these girls are, and how much they need each other, this one just punches you in the gut over and over again until you understand. Dear God this hurts.

I am REALLY hoping this isn't on some level inspired by the author's own life experiences, as some of this feels so deeply personal.

Idk which one I'm gonna cry for coz clearly Hiiragi isn't even in her "line of sight"
Along with "it's irresponsible of you" And with "you think i better off alone" Dialogue

Like... Who's in front of you huh?, a manekin?

Bitch that's your best friend

To use an addiction metaphor, Tomikawa is addicted to "love." She is dependent on anyone who will give her love and affection. Igarashi knows that, which is why she's such a manipulative shit with Tomikawa's feelings. Hiiragi can be a friend, and praise her. But in this moment, she's essentially narcaning Tomikawa's high and saying "you need to quit, this isn't healthy." No matter how you feel about someone, when they threaten that high all you can see is an obstacle.
 
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mad at how well the last few panels made me laugh after that painful backstory lmao, probably my favorite use of the contrast between the two art styles in this story so far

I imagine Hiiragi's gonna back down a bit for now to sooth Tomikawa but at least she's slowly starting to get a picture of how Deep this runs for her... fight on, you two!

thanks for the chapter!
 
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mad at how well the last few panels made me laugh after that painful backstory lmao, probably my favorite use of the contrast between the two art styles in this story so far

I imagine Hiiragi's gonna back down a bit for now to sooth Tomikawa but at least she's slowly starting to get a picture of how Deep this runs for her... fight on, you two!

thanks for the chapter!
lmao yeah, when this first dropped on Inuyama-Sensei's twitter I bust a gut laughing. Multiple drops of the most depressing and high-tension pages imaginable and then suddenly SPACE HIIRAGI

Ed:
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Alright just looked at the brother-focus bonus manga on Inuyama's fanbox and yeah, they're also victims of their mother's abuse. They do love Tomikawa, tho, and I hope in the future we can see them come back and be like "I should have stood up for you, I'm sorry."
 
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The most interesting part of the story is the character progression of the author, who went from
"My first big work is an exploration of a weird friendship-turned romance between two deeply hurt, deeply broken people" to "My second big work answers the question of what it's like to date an absolutely ENORMOUS BITCH with a pair of boobs big enough to feed half of Japan".
I suppose at some point you start to crave the simple, happy simplicity of happy-romance-with-big-women.
hey. the dude that was doing Tokyo Ghoul literally has said it was kinda killing him to write out all the stuff happening in it and nothing else for so long...so yeah.

Glad this author decided to have something to keep his mental up.
 

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