Yup, that church have many flaws on their structural and...Why does Mejis, the founding nation of the hero's religion, sport so many powerful villains? The pope has absolutely nothing under his control. No wonder Laheit could infiltrate and work as a priest in the church headquarters.
I am still amused that the MC considers something written around the time of WWI to be 'ancient characters' and thus hard to read. That's like saying that Edgar Rice Burroughs's Tarzan or Barsoom novels are nigh unreadable, or the 1911 edition of Encyclopædia Britannica, which forms the basis for much of Wikipedia.
Thank you. I had guessed it was like this. The Korean written Hangul alphabet had something of a postwar reform (I think), and we now see simplified Chinese and Arabic characters to help streamline literacy and communications, particularly in the computer age. What an interesting and changing world we live in!After WWII the Japanese government actually made a concentrated effort to change or simplify the kanji used in the country to make them easier to learn and use in daily life. Even other simple areas like creating rules for hiragana or katakana usage or even the implementation of furigana(showing the reading of a kanji in smaller text next to it) happened around this time. The MC grew up in modern times so unless he was particularly interested with writings from that time it'd be hard to impossible for him to know what a lot of things say.
For example the traditional way to write the kanji for "learn" is 學 while the kanji he'd be more familiar with is 学
Yup, that church have many flaws on their structural and...
Yugula is also unhinged, he unconcerned with the world as long Black happy
By black do you mean the Black Demon Lord? Was he in love with her (I'm assuming "she" since we were shown 6 silhouettes of demon lords and 4 of them looked like girls)
Is this like Thanos with Death scenario?
Or the best guess: was the Black DL dying/dead and Yugula did all this to save her.
My pet theory is that it goes back to the days of first edition AD&D, which ultimately shows how most fantasy authors are big nerds. Using Magic Jar to swap bodies, then just never swapping back to your original, was a cheap way to extend your life that avoided the Con loss from Resurrection, Raise Dead, or Clone, and the wild uncertainty of either Reincarnate or Reincarnation. Plus, you might even get a few extra points in your physical attributes, something most magic-users could always use. Unlike all of these spells save Clone this body-swapping is something that a wizard can do without needing to rely on anyone else's help. Since Magic Jar's duration lasted until you returned to your body, you can just keep casting that spell indefinitely.Orochimaru, Voldemort, Laheit. Soul transfer seems to be a favorite technique among the evil villains.
Aah! A cultural thing!My pet theory is that it goes back to the days of first edition AD&D, which ultimately shows how most fantasy authors are big nerds. Using Magic Jar to swap bodies, then just never swapping back to your original, was a cheap way to extend your life that avoided the Con loss from Resurrection, Raise Dead, or Clone, and the wild uncertainty of either Reincarnate or Reincarnation. Plus, you might even get a few extra points in your physical attributes, something most magic-users could always use. Unlike all of these spells save Clone this body-swapping is something that a wizard can do without needing to rely on anyone else's help. Since Magic Jar's duration lasted until you returned to your body, you can just keep casting that spell indefinitely.
It has been said that there are only seven stories (or seven root plots)@DanYHKim It's a pretty old legend, one pulled by Gary Gygax from multiple sources. It's possible that some or all of these writers also got the concept from these older stories, but I believe that it's even more likely that a lot of them played D&D, and got the idea that way, whether they realise it or not. As the most recent Unlimited Lives video (as of this writing) said of a Deep Space Nine episode, "I suppose if you get a load of sci-fi nerds in a room together, it's inevitable that the stories which shape them will eventually start to bleed through." The same certainly holds true for fantasy authors, as well.
In his 2004 book The Seven Basic Plots: Why We Tell Stories, Christopher Booker proposed that all stories follow one of seven archetypal plots:
- Overcoming the Monster: A hero must defeat a villainous force.
- Rags to Riches: A poor protagonist acquires wealth, power, or a partner, loses it all, and then gets it back permanently.
- The Quest: A hero embarks on a journey to acquire a treasure or reach a location.
- Voyage and Return: The hero travels to a strange land and returns, transformed by the experience.
- Comedy: The plot involves confusion and misunderstanding but ends with a happy resolution.
- Tragedy: The protagonist's fatal flaw leads to their demise.
- Rebirth: A protagonist is transformed by a life-changing event.
I half suspect that Tolstoy's editor talked him out of his overly reductive first draft version: 'stuff happens'.Tolstoy was even more austere, saying that there are only two basic stories: "A man goes on a journey" or "A stranger comes to town."
I think someone later further simplified this into "Something disrupts the norm", but somewhere between the seven and the one, I think all of the meaning gets lost.