This is still so long in the past there's plenty of time for more change. For all we know, as time went on and Taya had more time to think on what she's done here, maybe she's disappointed in herself and believes that if she'd had a little more self-control, things overall would've turned out better.Wow…now I need to see how she went from this to liking Haru. This Taya would’ve let Haru drown.
Could be the type of wood used. Bows and arrows have religious context in Shintoism which is why they’re the weapon of choice in a lot of yokai stories, so if it was made from sakaki wood (which is sacred, think the connotations of holly in the west) instead of yadake bamboo (which is the standard cheap and effective wood to make arrows out of) it would indicate professional monster killers or them treating her like a super dangerous demon instead of just plain soldiers or hunters reacting to a perceived minor threat.Still doesn't explain to me why she gets so angry after sniffing the arrow. I thought she smelled a sedative or some other tranquilizer, which you wouldn't use when hunting somebody to death.
I understand not everything needs to be SA and stuff, but this definitely feels like it to me...
Probably because this is Taya’s story, not Yuki’s.This is what I hate about SA subplots. Yes you can depict sexual violence, (so don't @ me) but the way it's usually done is for cheap pathos or lazy character development.
We never see her interactions with the village, why they suddenly fly into a rape frenzy, and now they're all dead presumably, so it doesn't even matter now. It's all just a device so we feel sad, then mad, then righteous when Taya slays them.
Presumably, there were women and children there too, as well as those uninvolved, are they dead too? Are they now retroactively justified for attacking demons on sight for the indiscriminate slaughter? We can't answer this because a very intimate and intricate act of violence is crammed into two pages.
It's left ambiguous enough that it can go either way, which is almost worst as the author won't even commit to it. Absolutely no hate to the author, but this knocks a point off my rating off the story.
“The world is changing, you need to learn to tolerate humans existing. Also, I’m getting married, try not to eat her.”Second time. Mom aka 'The old hag' was probably the first. Bone daddy wouldn't marry just anyone.
Probably because this is Taya’s story, not Yuki’s.
Like mantis girl and Gashado-dad we only see the part of their lives that pertains to her.
There isn't any need to assume it's the type of wood anymore than there's a need to assume she slaughtered the entire village.Could be the type of wood used. Bows and arrows have religious context in Shintoism which is why they’re the weapon of choice in a lot of yokai stories, so if it was made from sakaki wood (which is sacred, think the connotations of holly in the west) instead of yadake bamboo (which is the standard cheap and effective wood to make arrows out of) it would indicate professional monster killers or them treating her like a super dangerous demon instead of just plain soldiers or hunters reacting to a perceived minor threat.
I wonder if this is why the sanctions...taya turn out into killing machine, make her to human slayer
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Taya is the storm that is approaching.
What I mean is that we don’t see any of Yuki’s experience in the village at all because all that matters to the story structure is Yuki’s encounters with Taya....This does pertain to Taya? She killed a whole village, and presumably that soured their relationship, we should know more about why. That includes the inciting incident. Wasn't even the main point of what I wrote.
SHY does the same thing, many authors do.This is what I hate about SA subplots. Yes you can depict sexual violence, (so don't @ me) but the way it's usually done is for cheap pathos or lazy character development.
We never see her interactions with the village, why they suddenly fly into a rape frenzy, and now they're all dead presumably, so it doesn't even matter now. It's all just a device so we feel sad, then mad, then righteous when Taya slays them.
Presumably, there were women and children there too, as well as those uninvolved, are they dead too? Are they now retroactively justified for attacking demons on sight for the indiscriminate slaughter? We can't answer this because a very intimate and intricate act of violence is crammed into two pages.
It's left ambiguous enough that it can go either way, which is almost worst as the author won't even commit to it. Absolutely no hate to the author, but this knocks a point off my rating off the story.
I'd love to see more of those days, no way was it easy for mom and dad.“The world is changing, you need to learn to tolerate humans existing. Also, I’m getting married, try not to eat her.”
[Draws a spider on his head in protest]