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Joined
Jan 18, 2018
Messages
6
This series is a greasy fast food kind of good. The Heroine can't sneeze without tripping over a murder, the male leads are both somewhat regrettable in one or various ways, and the art... That said, I still enjoyed it quite a bit.
 
Contributor
Joined
Feb 4, 2018
Messages
8,234
What the heck is that ending ?
Make no sense.

Well, back to reading Ouroboros, it's way better.
 
Power Uploader
Joined
Jan 19, 2018
Messages
237
Haven't read this in a while. Series is kind of a one-trick pony, but it manages to be enjoyable from what I remember.
The detective aspect of it isn't done quite as well as something like Conan, but there's still some interesting deductions throughout.
The fanservice seems out of place, but mostly tends to just be played for laughs and isn't at the core of the storytelling.
Characters manage to be fun and likable, especially the main character, Kurumi. I'd say it's a pretty solid series, and at 10 volumes doesn't overstay it's welcome.
 
Member
Joined
Jun 7, 2018
Messages
360
SHE ACTUALLY BROKE UP WITH THE BEST CHARACTER IN THIS SHIT MANGA JUST TO GET WITH DISCOUNT L WHAT THE FUCK SHE IS LEGIT THE WORST CHARACTER IN THIS ENTIRE THING EDIT: You know i'm gonna admit I skipped to the end because I actually could not handle how bad this series was, but they manged to ruin the best character in 1 chapter


Go read something better
 
Active member
Joined
Jul 3, 2018
Messages
92
Enjoyable but not something that I'd come back for. The ending arc is quite silly. "I'm in love with my work." What? MC had the nerve to dump her fiance at the altar, then at least she could tell him that she was in love with another man, preferably before the wedding day.
 
Dex-chan lover
Joined
May 31, 2020
Messages
660
This- this is terrible. I suspect it's some sort of sex fetish about women in peril, because the million things that could be solved by just calling a squad to arrest a murderer, instead of sending a meter maid by herself so she can almost die every time, make the mental gymnastics to justify the plot Olympics-worthy.

I quit at the point where the protagonist was interrupted during the chase for a murderer by a kid who had been run over by a car. Instead of calling an ambulance, like a normal person would, the main character decides that she should carry the kid on her back to the hospital. And it's not the only instance of the writer apparently not knowing, or ignoring for the sake of plot convenience, very basic, logical things.
 

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