So glad it's being continued. It was left in a harsh place. Hopefully at some point things will look up.
And basically I really do think it's very good. One thing I particularly enjoyed was the bleak and very plausible look at corruption in the (Korean in this case, but what do you bet elsewhere too) music industry. Sure, Korean toons are always glancing at corruption in the entertainment industry, but it tends to be surface--a bit of stuff about how to use publicity against people, and some individual-level executive corruption, that kind of thing. But here it's plain that it's not about individuals, the system is corrupt. I respect that. I'm impressed by some of the character stuff too.