I get the characterization(she's really enjoying being protected and worried about, she wants the fluffy and simple love story), and the setup makes for a fun ride, but I wonder how far they can push it without the audience turning on her. Cause, like... the reason her husbando is doing the things he's doing is because of his actual, real-ass emotions and feelings of responsibility, wanting to protect and provide for his wife. That she doesn't need any of this and is just enjoying the performance IS dishonest, but also kind of feels exploitative, manipulative, and condescending.
For her, he's providing something she's never gotten so she doesn't want to let it go. But he's not, like... actually doing that, he's not actually protecting her. Just trying, and she finds it intoxicating that he does, but she doesn't need him to do this. She's trying to wrap all this up so she can continue her life where she doesn't fully show herself to her husband. There's a critique there of how women are supposed to perform, except its undermined by the fact that not only is SHE the greatest hero, there's also examples of people just like her.
Great art, fun idea, good execution... but I don't know if it can stand up to a long format. The longer this goes the more the unsavory ideas lodged within surface.