Before my analysis, a special thank you to galaxy & soundofspace for the translation
.
Starting from chapter 33, I already suspected that Hibiki (Kanon's mother) had begun to notice her daughter's feelings, for two reasons:
- Kanon's comment about her plan for them to live together (mentioned in chapter 21)
- During their mother-daughter talk in Chapter 33, when Kanon asked the pointed question Who was Saki thinking about while playing that piece? Hibiki's face said "Kanon never discusses things like this... something's up."
What I never imagined was her ability to also perceive Saki's feelings towards Kanon. I don't mean Hibiki is
certain, but it's evident to her that Saki and Kanon are starting to blur the lines of friendship, that there's something more intense there that could even change the course of their future.
Furthermore, I think it's important to highlight the subtlety in Hibiki deciding to talk to Saki instead of Kanon. Even though Kanon isn't fully aware she's in love yet, she would confront Hibiki if questioned about her decisions – in fact, she already did in chapter 21, though things didn't escalate further.
The irony is that the "implicit boundary" Hibiki tried to establish had the opposite effect: it forced Saki to confront the fact that she wants Kanon for herself, that she couldn't bear to see her romantically involved with anyone else. This is the first time she admits to herself that she can't settle for just being Kanon's friend. Although she's been aware, practically since the beginning of the story, that her feelings are romantic, she kept telling herself that friendship was enough... but it's not true. She wants more.
However, Hibiki raises realistic and practical concerns. The conversation about Saki's future music studies and Kanon's desire to write presents Saki with a new reality: they're racing against the clock. Soon they'll have to make decisions that will shape their adult lives. If she wants to build a lasting relationship with Kanon, she needs to start thinking about their future with greater maturity and act on her feelings. Though the current focus is emotional, the pressure of time is already present.
Regarding the photography arc (I'm not sure if it will be resolved soon), could it extend into their second year? For example, the piano recital was mentioned in chapter 14 and happened 19 chapters later. Similarly, Kanon's writing arc will likely culminate in the literature club's summer contest next year, while Saki's dilemma about her music studies will intensify when their second year begins. Kuzushiro seems inclined to develop everything gradually... unless there's a small time skip.
Now I wonder how Saki will react after Hibiki's intervention. Will she become more direct with Kanon, or will her emotional repression make her withdraw? If it's the latter, perhaps Kanon would start noticing the change and reach out to Saki, trying to understand what's wrong. In any case, it seems we'll soon learn more about Saki's personality (and probably her past), because it's evident there's an open story thread about this in the manga. Whatever happened deeply affects Saki, and it's something Kanon still doesn't know that wounded side of Saki. If we got a full flashback episode about a secondary character like Hamaoka-senpai... imagine what we'll see when it's Saki's turn. We know her family situation in childhood made her naturally quiet and reserved, but Kuzushiro-sensei has hinted through flashbacks that something happened in middle school that made her even more withdrawn and repressed, especially regarding her sex*ality. That event is why she secluded herself in an allgirls school to avoid romantic drama and questioning. You know,
"Hiding a leaf in the forest."