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No. Next chapter is planned to drop on August 15, my birthday!Thanks for the translation. Is the manga on hiatus right now?
No. Next chapter is planned to drop on August 15, my birthday!Thanks for the translation. Is the manga on hiatus right now?
I will tell you this
The movie shares the same title, several characters with the same names, and the same ... uh... themes
I mean, if we go by MAL's tags: Comedy, Horror
and... that's pretty much it...
noFor manga you should use Mangaupdate . com and not MAL. MAL is more for anime. They don't have the same data base.
I wonder why having long black hair is important haha![]()
For real though, I liked some of the casting, but I hate when they feel the need to include an original character that most likely will be Miko's love interest. I would be surprised if I was wrong on that and even better if he was actually some sort of ghost, an actual good twist, but from what I watched those live action adaptations, original characters are always bad and I feel bad for the original authors agreeing with that sort of thing, because it could give the wrong impression for potential new readers that Miko might have a love interest, which isn't the point of the manga.
Michiru is a main character and has spent like 30 chapters lusting after MikoMiko might have a love interest, which isn't the point of the manga.
I remember when I was a kid and used to watch Mask Rider Black and other tokosatsu tv shows, the main characters will barely talk and just be broody while noticing things as part of their investigations. It was the villains with the wide smiles, the villainous laughs and cheesy dialogue. This type of cringey acting I don't mind because how how else would an actor show their villainy without laughing maniacally.It's been a while so I don't remember if it's either addressed in the work, but I was thinking reading Act-Age, that an actress like Yonagi, the embodiment of Method acting and the Stanislavski etho, getting really popular would be just what Japan needs to put an end to this mainstream cringy overacting.
It's often not an issue when I watch indie Japanese movies, it's truly ingrained though in those big productions, like one for a manga adaptation for instance. Where young and upcoming actors are brought in and need to follow the standards of the industry to keep getting promising work. Hell, sometimes they're chosen because their pretty face sells even if they can't even act for shit, not even this overacted standard.
It's really not there where they and directors are free to make art, they're encouraged to make profit as safely as possible, so it sucks when the status-quo is terrible.
I'm always puzzled that despite knowing how popular anime got throughout the world, Japan only cares to cater to their domestic market, so as long as Japanese will keep making them bank, they'll have no reason to raise the level.
But from our POV as fans, it feels like we're doomed to never enjoy those live adaptations because they're always made the equivalent of the CW and its recipe (hot actresses and actors, acting ability optional, singing appreciated in case of a musical episode per season, writers need to be cringy theater kids, need to be available for 9 seasons or 5 sequels, or ready for an early axe!).