See the
discussion last chapter regarding differences in Western vs JP idea of 'hero'.
I get that. I know that what gets translated as "hero" isn't really the same as what the English word implies and is why some translators choose to use the word "brave" instead. It's also not really entirely the source of the problem. I'm fine with Allan being a dickhead. That trope of the asshole hero who incites the manga protag to be kicked out of the party and who is mostly an irredeemable twat meant for the audience to hate is fine and even if I think it's overused it serves a purpose.
My problem is that in any good story you need a character for your audience to sympathize with. Usually that's the protagonist but you can have an anti-hero or villain protagonist who doesn't get any connection to the audience and have the other characters be worthy of the reader/viewer's time or consideration.
But that's not happening here.
Rick has basically been molded into not blinking in the face of doing unscrupulous or unsavory things by being a dungeon master. He has some consideration for his former friends, but he also would likely not care too deeply if anyone he legit cared about ended up dead and he has said as much.
Allan is a complete bastard.
Tony, the wannabe replacement hero turns out to be no better either. His original apparent goal of being a proper hero after he was disillusioned by a previous one seems to have only made him into a hypocrite and highlights his self-interest and own ego.
The former party member that Rick is using in the fight, the tank guy, seemed nice, but is also naive and dumb as a sack of doorknobs and I guess he's dead and zombified now as a means to get around Tony's unique power?
The other alchemist in the hero party was an idiot and under his facade was a bit of a jerk.
The other current party members with Allan and Tony were nothing-burgers.
The only character that ever made me say "I like them" is Mary, the priest girl who was formerly in the hero party and who came and found Rick in the dungeon a while back. But I get the feeling that she is not destined for a big role here and if she is it'll probably end badly.
I dislike some of the characters as intended, but the other ones mostly seem to only get apathy from me. And it's been said that the absolute worst 8 words any writer can hear about their work is this: "I don't care what happens to these people."
I'm in too deep now to back out with 14 chapters to go unless something incredibly stupid happens and breaks me, but having read this exact story premise at least 8-10 times before in other "secretly powerful support guy gets kicked out of the hero party by the asshole hero who doesn't appreciate him" manga, I'm struggling to find something that hooks me in here the way it did in those other series.
Has that actually been stated anywhere, because according to Allan that's always the way he's looked at people, like they are guinea pigs to be experimented on?
He commented not long after he became the dungeon master that he knew he should feel guilt and sadness at the deaths of the parties that challenged his dungeon, but he just didn't. I don't think it was outright said, but it was strongly implied that becoming the dungeon master clamped down on those emotions in him so that he could do the job more effectively and without being fettered by negative reactions to doing what he needed to in order to survive.