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Dude he hears the voices too! He's just like me!

Bro I'm actually leaning in my seat rn. I'm so excited. The anticipation is killing me.

At behind door number one is... a VERY old car! Claim it.

I do appreciate these insights into the everyday lives of the functionally vampiric. Azami is such a yak.

This is shockingly motivational.

Awwwww. They're gonna be such good friends. :)

"Enjoy the ride!" I don't think ending on that line was a coincidence. Kyouko is such a great character. I do feel like she's sending mixed signals here, though. She warns Nazuna to stay away and cut ties with Kou, but then encourages Kou to chase after her. I suppose it's to force Kou to make...

This is some real german fairytale shit, you feel me?

This entire chapter was a trolley problem.

She's so happy. How cute.

Poor Suzukiri. She's been through a lot, huh?

4 months ago. I'm dyin' bruh.

That last page... he's literally me...

Pages 19-21, but especially 21, are so damn well composed. God damn, the use of the flowing curtains to arrange the scene and insert the girl's friend into the scene - so fucking good.

That's really interesting. A few more things make sense to me now though, specifically about certain characters and how women are portrayed more generally. It feels like most male authors don't capture emotionally complex characters as well as female authors. That's because female authors tend...

I got that vibe, but the specific phrasing of that sentiment is what I'm confused by.

Goddamnit, Kotoyama has such great art and composition sense. His panels are always great. It's one of a few manga where I really stop to admire the art.

Wow it turns out punishing failure by gutting your staff (literally or figuratively), instead of treating it as a learning opportunity, leads to organizational collapse. Demon King clearly doesn't know the first thing about running an effective organization smh.

Awww. Look at that smile.

It's moving too fast God damnit.