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Not only that, the Mahiru arc served as a foil to Kou's own romance. It wasn't just to present the potential danger - it was to provide a contrast. Since this manga is an exploration of Love, juxtaposing the relationship of Kou and Nazuna with an incredibly unhealthy romance (Mahiru and Kiku)...

Chapter 200 is sooner than I thought. There are a lot of unresolved and unanswered questions. Provided that the ending is satisfying, I don't think that unanswered questions or unexplored potentials are a bad thing. It's useful for generating discussion, and it can inspire derivative works made...

It was done... Until he noticed Nazuna's condition. With that revealed, he and Kou were thrust back into tension once more, because Haruka could not accept Nazuna coming to harm, nor could he accept Kou's indifference to her plight.

Chidori is handily the coolest character in this manga. We have seen the Death Messiah before though. It was an enormous Kaiju sized invader that looked like a giant footsoldier. Moreover, the fact that Usokubo still retains his memories and sense of self is a strong indication that his...

Such quick thinking and ingenuity. Exactly what I expect from these two.

He bent reality to protect his modesty. What a powerful individual.

I'm so hyped.

It's both. And more. There has not been a single one note, two-dimensional character in this manga. Haruka was never just going to surrender her. He's jealous. He wants to protect her. He genuinely cares for her.

I love Kyouko. She's such a great character, and she's a got such a charming air about her.

I am in awe of the feelings that this series is capable of evoking from me. Everything is always done so well. The atmosphere of this chapter is top notch. The melancholy, the bittersweet goodbyes. What more could be done to make it feel more authentic? Regardless of whether the ending is...

What a dick.

Hazakura is always so much fun. And I swear the new human repository is the most accurate teenage girl. Swear to christ they just can't get murder off their minds.

Yeah nah. I just can't root for a protagonist who kills kids. Especially after they were already defeated. I'm sure it's not a bad story but it really doesn't suit my palate.

This really does feel like a scene out of an opera. I also appreciate how it's tragic, but it isn't pointless. Maybe none of it was avoidable. Maybe his presence was directly or indirectly responsible for the deaths of the people he cared about. Those sorts of questions - those are pointless...

Akira is such a sweet heart.

Bro stabbed his battle buddy in the back. This is a cardinal, unforgivable sin.

RIP flamescans.

She's so dead bros. It's over.

I think that you've made a persuasive case. Kotoyama may believe that life is what we choose for ourselves. In that case, she might have thought that the vending machine was simply a cool visual motif to place when the characters were at a crossroads. I think that @Eternalcakes is right, that...

That's such a beautiful, accurate description of what it's like to be in love. Going back to the symbolism of the vending machine and choice, I think it's interesting how it was blacked out at first, sort of like decision paralysis. But then when it came back on and Kou made his choice, the...