Fed-Kun's army
- Joined
- Nov 19, 2025
- Messages
- 41
Unfortunately, I’ve experienced NTR in my own life.I haven't read Tokyo Neon Scandal but i will begin shortly, thanks for mentioning it!
I see, and a lot of potential too, just like we have some red herring on the story as of now.
Terauchi is this story( and Sousuke's) call to action. I think the authors know that he's gonna be important, but haven't thought how much yet. Because, him being jealous of Sousuke is one thing, but pointing directly to Momonga is another, very suspicious one.
I've been...around some cheating people myself. Sadly, is inherent to a lot of relationships throught the world, only changing the time of discovery. I think this story's arcs are shaped around crime -> fall -> Catharsis -> Redemption. Though, theres a contrast between the positive character development type( mainly the "bad guys") VS the constant Negative character development arc( mainly Sousuke);
Matsuo Jin became so desperate to pay his debt, he lost sight of important things close to him, mainly his wife. In the end, his lie broke, he understood her importance over his debt, they make up in the closet, and learn to cherish one another.
Kamizaki went so far as to fall for Shiratori's trap, believing it was an "only way". The lie was broken and we later see him trying to move forward with his wife.
Shiratori is a classic case i've seen a lot. Person who cheat doesn't like being cheated on. When he understood the evil he has done, how much damage he did to everyone, including Mitsuzuri, his lie of "not having anything to worry about being discovered" broke and he later try to fix things with her.
Shingo, the most pathetic, believed he was only relevant if being seen by all. His lie that he had "nothing to worry about" and he could keep his image, broke. He saw that not only he wasn't, truly, as "watchable" as he thought, Momonga wasn't failsafe, and he easily lost the attention he so much thought. We don't know how he turned out to be, but i guess Mitsuri is gonna be keeping him in a tighter leash.
On the other hand...
Sousuke has been going through a negative character development arc in a constant, with his lie( that he could catch "the man who stole his wife") putting him in worse places than before.
After Matsuo, he ended up failing to catch her AP( affair partner) but found out she had A LOT of cash, for how much she lended to Matsuo and how she said it "wasn't a problem".
During his meet with Kamizaki's wife, he couldn't get an erection, because of how much stressed and tied to Rika( physically and emotionally) he was.
During Shiratori's confrontation, he found out Rika was the one responsible for the guys thriving success, his "master" in the bussiness.
During the happening bar, he managed to see a side of her that was far from what he envisioned or ever saw.
During the trip, not only did he almost fall for Akiba, Mitsuri's point was proven right: SHE was the one who approached Shingo. This made Sousuke's lie "break" as there was no stealing. And she managed to run from him.
His "new lie"( i presume) is that he can reach Rika if he tries hard enough. But how much damaged he will be until then, that remains to be seen...
So the protagonist’s feelings are very familiar and understandable to me, even though I wasn’t married.
The only thing that stops me from identifying with Sousuke is his absolute purity. He loves his family too much, and he has no trace of egoism in him, which, to be honest, pushes me away from his character.
Maybe that’s why I’m not affected by the author’s attempts to mislead readers who take infidelity very personally - I just don’t empathize with him.
As for Neon Tokyo, it has similar themes and story beats. Around the midpoint there’s even a villain escaping the clutches of justice, just like here.
There’s also a “double” villain - a pair where a small, fragile woman acts as a manager for a huge man who assaults women. His messenger avatar, if I remember correctly, is a white horse.
Punishments in that story follow a classic karmic pattern: one evil deed = 200% retribution and humiliation for the villain, with the protagonist usually not participating in this process at all.
And unfortunately, the villain’s motivation (as far as I remember) turns out to be simple boredom - described almost at the level of Light Yagami.
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