@SuperOniichan
Can you name licensed titles with the same level of offensiveness to the Western leftis?
I’d say Berserk is the most obvious choice, given how a major plot point of the series is a rape. Re:Monster has the MC rape several women under the influence (only the manga is licensed, though, for some odd reason). Parallel Paradise and World’s End Harem both take on the “one guy in a world full of girls” fantasy, with one having girls literally creaming themselves when they see the MC while the other has women mass rape a man at one point. Both licensed by Seven Seas on their Ghost Ship imprint. Why The Hell Are You Here, Teacher!? has sexual relationships between high school students and their teachers and was licensed by Kodansha, of all people. Other manga which are licensed, but also have sexual violence or other offensive things: RaW Hero, Gleipnir, JK Haru is a Sex Worker in Another World (LN only), Goblin Slayer (most of the controversy seemed to be aimed at the first episode of the anime only, and no outcry was made over the manga or LN), GANTZ, Chainsaw Man, Terra Formars, Franken Fran, Devilman, Emergence/Metamorphosis, Interspecies Reviewers (the manga was licensed and released in 2018, the controversy was only surrounding the anime which aired earlier this year), Prison School, and pretty much whatever FAKKU licenses.
The problem is that this manga is an extremely old-fashioned ecchi that still repeats many of the prejudices that modern snowflakes have long forgotten about.
What prejudices? If you’re talking about rape, half the titles I listed above have the same. The anteater scene may prove your point, but let’s be real: there weren’t a lot of old-fashioned ecchi series which had beastiality in the first place.
I understand what you were posting about, but the thing is that there is no SJW boogeyman under your bed, secretly plotting to cancel your favorite manga and anime.
Black Gakkou ni Tsutomete Shimatta Sensei is published in the same magazine and you can consistently see the discussion of pirate discourse in the discussion of each chapter.
Doesn’t that prove the point even further? Not talking about how Takatou-Sensei and Souryuu-Sensei have different views on piracy, but how Souryuu-Sensei previously said that he was planning something in regards to Black Gakkou getting licensed, but we haven’t seen anything yet. Given how his other works which were released in other magazines or as doujins
have been licensed, I’m still under the impression that the magazine Jigokuhen runs in is just hard to contact. That or licensing companies crunched the numbers and figured that the number of people willing to buy volumes of it would not be enough to cover the licensing fees and make a profit.
