Igarashi on the chapter:"I'm so delighted to finally put this chapter out. After I drew it, I'd either spent all I had or suffered divine retribution because I wound up in bed with an awful fever for a week straight."
Oh good I was worried Sayori was trapped in a crazy relationship. Instead she's thriving in one.
What a ride between the first half of chapter 10 and the second of 11. Sweet, to psycho, to confusingly lovey dovey, then settling into psycho sweet.
Miu who gaslit Etsurou into being her loveslave with emotional and physical abuse is cheering Mizuki-senpai on while Etsurou looks concernedly at Sayori-senpai (Kasumi has reserved seating in this group for whatever Igarashi's planning) meanwhile Seika (female MC) who didn't know about her manga's drama until it literally punched her in the face halfway through worries for the innocent Haruyo.
Both are abused by their partner after misunderstandings that corrupt an innocent love and ultimately snap, turning them into the dominant one in their relationship and giving into the darker side of themselves. Though it remains to be seen if this is such a bad end for Sayori. She ultimately gives into her bitterness, now treating Mizuki a little derisively. But clearly it works for them?
I'm very curious how the senpais will be involved from here, since they do seem genuinely supportive of Kasumi and Haruyo. Or if we're headed down an anthology route of crazy side couples continually nudging the mains back on the wholesome road. It's hard to say yet what exactly this reflects onto the main pair, but it certainly colors the tone going forward. At the least it cements themes of hidden sides, secrets and lies, and ultimately acceptance. In a twisted way that rotten flower imagery from the start of chapter 11 represented "healthy" communication and openness between the two.
I didn't feel it was worth the post-credits essay but I've deliberately avoided swearing in this manga. It's something I always give extra caution to (I went back and toned down Michi's swearing in early Aizawa-san) because it can easily be tonally jarring. But it can also make certain characters' dialogue more natural or accentuate a moment. In this case, AriSaku's first swear goes to Mizuki stabbing Sayori in the back, that piercingly vulgar break feeling very fitting to me.
(If you're interested and have 15 minutes here's a video essay on the topic of swearing in JP to EN translations I always think back to. With ongoing manga it's especially challenging because I can't tell how future chapters will go, to pepper swearing in evenly.)
A Japanese comment described the senpais relationship as a mad dog and her indulgent owner. I think that works.
EDIT:
Taking it one step further, flowers are intrinsic to Class S. Hanamonogatari, the novels these girls rightfully treat as the Class S bible, titles each chapter of its anthology format (and every pair of girls) after a flower. Beautiful, delicate, pristine. Untouched when the girls go their separate ways.
When you pick a flower it rots. In the very modern context, yuri has become somewhat removed from its old taboos. It freely indulges in sex and abuse, examining them as many facets of romance without shame. The roots of Class S remain but it's bloomed wholly anew to be almost unrecognizable at times. If you want to view AriSaku as a bridge across time, a love letter to Class S respectfully carrying it into the modern age, the rotten flower isn't something ugly but a transformation of its beauty. I would not be surprised if this symbolism sticks around.
Rot and decay are obviously seen as awful, repugnant things - seen as symbols of the death of a thing, a concept which is feared and reviled on its own.
And yet, rot and decay are also part of the cycle that sees things born, grow, blossom and bloom and thrive.
Even from the fetid corpse, a beautiful flower can bloom, fed by the nutrition of that very decay.
And maybe that's an aspect of the relationship for Sayori and Mizuki. It is ugly, it is violent and painful, and yet between them, understanding and connection has taken form. In the strangeness and perversion of their bond, they've come to find a version of beauty and growth between them.
I will not say whether it is healthy--not the least of which because it is not my life, my circumstances. Even beautiful flowers hide thorns, hide poison. But I do feel I can say that it all requires balance, and it would seem that within their cycle, they have found their steady rhythm.
I didn't feel it was worth the post-credits essay but I've deliberately avoided swearing in this manga. It's something I always give extra caution to (I went back and toned down Michi's swearing in early Aizawa-san) because it can easily be tonally jarring. But it can also make certain characters' dialogue more natural or accentuate a moment. In this case, AriSaku's first swear goes to Mizuki stabbing Sayori in the back, that piercingly vulgar break feeling very fitting to me.
I think this was the perfect place for it. Language is, in a sense, indescribably powerful (all the thought and consideration that goes into translating from Japanese to English makes this readily apparent, I feel) - but in that sense, using it blithely can mute and deaden the impact that language can have to convey the entirety of a scene, a situation, a thought, a feeling.
Profanity is a clear example of this very concept, and knowing where and how to use a swear word to make clear the true immensity of a moment in a story is an artform all its own.
Using it here and now feels almost objectively correct, if I'm any judge.
Holy shit... Seeing the light leave Sayori's eye after being cut says so much. Even if Ono got arrested, that wouldn't undo the scars that Sayori was given, so it feels more like Sayori will exchange all of their feelings, love, pain, and obsession as a perversion of love. It's horrifying yet dazzling, making it impossible for me to look away.
Please let our main couple never feel this despair.