Hare-Kon. - Vol. 3 Ch. 20 - The Unforgivable Woman

[MangaDex]

 

[TheBlueCat]

MC is a conceited, selfish bitch.

 

[gaba157]

@TheBlueCat I second that

 

[Raudhbjorn]

@TheBlueCat

I dont think I've ever read a manga in which the MC is an NPC before.

 

[PsychoTheRabbit]

Right after hearing she only cause problems to others she ignores it completely and... tell a secret she just promised she wouldnt.
Ive felt pitty for her at 1st. But in the end shes just a big selfish, hypocrite, short tempered, foul mouth and spoiled brat.
Yep, disappearing wouldnt be so bad. To think the jealousy is actually beacuse shes probably his 1st love...

 

[Caniwi]

Damn something is seriously wrong with all of you who commented before me lol

The MC is of course not a good person but sheesh wishing for her to die? I really I’m glad I don’t know any of you in person if for stuff so small you would be glad someone else died, seriously what psychos

 

[Arin-san]

She's one of those bitch girls on those romcom manga added to create shallow drama.

 

[beep_repair]

Damn something is seriously wrong with all of you who commented before me lol

The MC is of course not a good person but sheesh wishing for her to die? I really I’m glad I don’t know any of you in person if for stuff so small you would be glad someone else died, seriously what psychos

I agree. Koharu isn't a simplistic "good person", but her motives and behavior are, for the most part, credibly human and even relatable. I mean, she IS shallow, selfish, spoiled, reckless and hypocritical... But her flaws are no more pronounced than than those of most people. The story admits and accepts them, and as a result, she's a more three-dimensional character than most hero-type manga protagonists. I like her, for the most part, even when she's not very likeable.

Koharu does fuck up in this chapter. She spits out Madoka's secret in the heat of a confrontation, and though she feels self-righteous about it, she also seems to understand that she's crossed a line. We could call this the creation of "shallow drama", but we could also say that it's the basic substance of fiction: people dealing with the consequences of their flaws. If everyone behaved perfectly at all times, there would be no stories worth telling.