The cake is impeccable. Muses so insurmountable and numerous they make me conflicted by their sheer multiplicity and variety, whereas beautiful women should be as rare as an oasis in the desert.
Shapely and supple with nigh zero inflation of the body's dimensions. Jun NAVIGAVI's harmonious and sophisticated women prove to be more nuanced and understated than those caricatures of a woman's beauty that rely on hyperbole and exageration to feign bountiful volume.
The true value of the balanced and elegantly buxom figures of Jun's women is that they appreciate in accordance to their character. I personally believe that their figures complement their character and is impeccably accentuated by clothing mostly by the simple fact that they don't attempt to overstate sexual attraction. They are plain and concurrently beautiful. Not objects of sex, but naturally attractive.
However, contesting the natural beauty of the women's design is the poses. They are, undeniably, always posed as to best emphasize the ass in their panels. But I, personally, really appreciate that. The women are, after all, creatures of beauty and admiration. What is good a painting in the dark?
To summarize, Jun has done a great job of making women who are naturally and plainly beautiful. They are beautiful for their bodies, their profession, their demeanor, their deceitfully simple cotidian life, they are beautiful for their authenticity. Another, they are seemingly blessed with shapely figures and heavenly asses that don't require overt and extravagant dimensions to express beauty. I am not a smart person or a critic of art, but I truly appreciate the portrayal of the women in this chapter, specially the nun and blacksmith lady.