This is, to me, still Taizan’s best. So many subtleties in panelling and art, like how the little brother used to be invisible in the dining room, covered by even the speech bubbles, to the big brother being the invisible one the next time the family is depicted to have dinner together. I still tear up whenever I see the big bro running again. I hope Taizan gets more opportunities to write shorter stories like this and Takopi instead of WSJ.