@DjAlexDubCheck
Unfortunately, for both you and I, you are incorrect on that front. Using the examples you listed, their saving grace is there is at least an element of comedy inside them. The works of Shintaro Kago are dripping with satire, and Mai-Chan's Daily Life is so absurd that you cannot take it seriously. It's most grotesque act is overshadowed by the dialogue of the man doing the deed (IT'S AWWWWRIGHT!). By comparison Himegoto is played completely straight faced, and because of that it has disturbed me more than Mai-Chan's Daily Life. Don't misunderstand, they still disturbed me but I was always able to walk away for a breather or dismiss them completely in my mind, this is something I was not able to do with Himegoto. It haunted me, and even though completing it exercised me of that feeling I don't feel any richer from the experience. I can take solace in the fact other works like yours listed have at least desensitised me and made it easier to consume works involving guro elements, where as Himegoto has not made it easier to read or enjoy Kuzu no Honkai, Koi no Uso, Netsuzou TRap, etc. This is why I continue to wish I never read Himegoto, because I honestly gained nothing from the experience other than saying "I read it and hated every minute of it." It's why made my original post, because very few pieces of media have made me feel that way. Maybe I was hoping someone would reply to me like you, to somehow validate the time I spent in reading it.
As for the perspectives argument, if you move the goalposts close enough anyone can score. An individual may decide that criteria is important to them, but they shouldn't ignore the rest of the work and make judgement on that criteria alone.