People lap up Nonbiri Nouka because it fills a specific niche that hasn't exactly been explored very often in isekai; 90% of the time the MC meets/sees many people during the first few chapters, and he/she isn't completely in the middle of nowhere.I love how everybody's definition of good art is based on the quality of the character art. Meanwhile everybody just laps up Nonbiri Nouka's art without batting an eye. It really says something about the people reading these manga.
So I'm just going to say it. I really respect this manga's artist. Sure his actual drawing skill is abysmal. But he makes up for it with a talent that few other new artists seem to have. *A grasp of good scene composition and panel layout.*
Page 7 and 11 are probably the best showcases of this. I'm pretty much always aware of where characters are standing in the room, regardless of if they are in the frame or not.
On page 7, Chii's feelings of impatience and frustration is conveyed through good use of action lines directing the eye to the face and then zooming into a close-up.
The constantly changing camera angles always keeps us informed as to where characters are facing, and if they've subtly moved throughout the room.
I couldn't care less about this story, it's not even as good as Lazy Dungeon Master. But I was never bored because this artist knows how to make manga interesting and unique from other forms of media.
I call it like I see it, and it's a harem tag so of course, the characters are given more detail.I love how everybody's definition of good art is based on the quality of the character art. Meanwhile everybody just laps up Nonbiri Nouka's art without batting an eye. It really says something about the people reading these manga.
So I'm just going to say it. I really respect this manga's artist. Sure his actual drawing skill is abysmal. But he makes up for it with a talent that few other new artists seem to have. *A grasp of good scene composition and panel layout.*
Page 7 and 11 are probably the best showcases of this. I'm pretty much always aware of where characters are standing in the room, regardless of if they are in the frame or not.
On page 7, Chii's feelings of impatience and frustration is conveyed through good use of action lines directing the eye to the face and then zooming into a close-up.
The constantly changing camera angles always keeps us informed as to where characters are facing, and if they've subtly moved throughout the room.
I couldn't care less about this story, it's not even as good as Lazy Dungeon Master. But I was never bored because this artist knows how to make manga interesting and unique from other forms of media.