the second one would be dictated by the japanese society itself. A society that gives so little freedom to its young generation, that's why the manga and anime turn out to be so colorful and full of freedom in the first place, to let out the suffocating air of oppression.two major tropes in Japanese horror are here: don't disturb the monsters (see Fuan no Tane for great examples of this, seriously just endless), and don't push back on custom. Here, the mother tries to set up her daughter with a nice man in a solid marriage, and because she rebels she gets karmically punished.
Deeply empathizing with your hatred of this particular story lmao, there are some horror stories out there with questionable takeaways but you rarely see something so disproportionate between its crime and punishment. It's almost like the 2007 flick Funny Games, grinning at the audience and daring them to cry foul.THERE AREN'T ENOUGH WORDS ON THE ENGLISH LANGUAGE TO EXPLAIN HOW FUCKING AWFUL THIS ONE IS.
Amagappa gets a lot of praise in his horror for what I find very basic, it's like a more jumpscare oriented, mainstream and amateurish version of Takahashi Yousuke's short stories.Deeply empathizing with your hatred of this particular story lmao, there are some horror stories out there with questionable takeaways but you rarely see something so disproportionate between its crime and punishment. It's almost like the 2007 flick Funny Games, grinning at the audience and daring them to cry foul.