This and Ingoshima are two manga that have the same theme of "Go to Island, get fucked up by cultists" theme and both of them are racing to see who can be the top most dogshit manga. Unsurprisingly, Ingoshima is winning because unlike this manga which ends in 47 chapter, the agonizing serialization journey of Ingoshima continues even after a hundred chapters.
Reading this reminds me of the time I was in a literature club and for the annual school festivals, all the members had to pitch in ideas for a liveplay drama. And I just had to instalock the role of scriptwork (writing everyone's ideas, turning it into a script, printing and distribution) because every other role sucks and requires too much involvement.
I remember when everyone was coming up with the foundations of the plot—there was always this one guy who added so much expositition to the world but never really completed it. This is the kind of guy to want to create a whole multiverse out of a fantasy story about talking fruits and their imperial problems.
Just when you think that the other people would say, "That's such a bullshit idea" instead they shower the act with praise. "Omg that sounds soooo interesting, you are just soooo creative".
I don't understand. Japanese kids grow up watching Doraemon, Pokemon, Shin-chan, and tons of other anime like that. While not having the greatest writing ever, it still had a level of standard to it. I grew up watching those stuff, and only after growing up I realize how strong the story were in some of those episodes in the anime. So why is it that people like this guy Hara Tsumoi exist? How can you write crap like this? Maybe this person is an exception. After all, not everyone grew up and evolved the same. Yeah. That must be the case.