Also
@jackieky brought up a really good point late into the discussion last chapter and figured this applies to the current chapter as well.
We see time and time again Male!MC as a good person that is appreciated by everyone that met him so far. Ruha, So-ae, that childhood friend that checked up on him, hell even Fuckboy has a positive view on him despite his obliviousness towards MC's dislike of him. The producer seemed to think enough of his pilot performance to remember and pick up on the similarity with Fem!MC's monthly performance too, and the darn fem-stalker was receptive towards Male!MC's treatment of her; making her fess up the real culprit and get taken a back for a second by his earnest compliment.
And yet,
it's the entertainment industry and system doesn't want him. it's really only fair to judge the entertainment industry as a whole for not giving him a chance due to factors outside of his control (looks, and to a lesser extent past mistakes) instead of the girls that get to work alongside MC considering that they never knew the Male!MC to begin with. The C-Suite that we do get to see do deserve some judgement and scorn for it imo, even if they are quite nice toward MC.
The industry really pushes Male!MC's undesired behaviour out of him, pushing MC to be the idealized role model of a good idol. Though, it's not like the industry is forcing it's expectations on MC since MC him/herself voluntarily does it (it's kinda like a more powerful version of peer pressure I guess?). I really do wish that MC can snap out of it and find a good balance between the desired commercial success of the studio and MC getting to realize his/her dream of being an idol while not completely losing his/her true self.
I wrote most of this cuz I read too much discussions on how russian figure skating talent machine breaks young girls hearts with toxic and reductive training that caused them to burn out early (a la asian parenting). and they STILL lost to the USA gold medalist that genuinely looked like she had an absolute blast on the skating ring without a trace of distain for the sport after escaping from her toxic training environment and refinding her love for the sport years later lol.
This work really delivers how an underlying system can be bad despite good people manning it. It's all about incentives and disincentives, and I think it delivers as harsh of a critique to attentive readers on the entertainment industry as Oshi No Ko.