Dex-chan lover
- Joined
- May 14, 2018
- Messages
- 6,462
Did you even read what I wrote? Or are you just repeating your argument? I'll try to explain this to you one last time: I'm calling this a MariMite parody not because this manga is a direct parody of it, specifically or exclusively. But because it's a genre-defining title for the genre this manga parodies, namely, Class S oujo-sama all-girls schools. This is the most simple and obvious metaphor, I don’t understand why you still can’t understand it, clinging to wording or completely ignoring my meta explanations.That's the problem,is does not make sense.
Every battle series being a parody of Dragon Ball Z(specially Z and not the prior iterations)makes no sense,as much as saying every car is a parody of the Ford Model T,for there's so many battle series that they literally aren't,and plenty can't,be parodies no matter how mental gymnastics one takes.
Also,to be a parody,it has be to a deliberate exaggeration of the key core aspects of the series it is supposedly parodying.
The exaggeration in this series is about how AWOL rock bands are,not the Catholic rich lesbian school itself,because they didn't change that aspect that literally dozens of other series have done.
You're desperately clinging to the genre it's parodying (not to mention that it's not parodying yuri or even lesbian romance per se, but the Class S setting), yet you're strangely ignorant of the works that embody that genre. I didn't just use the metaphor of how impossible it is to parody '80s action movies without Rambo or battle shonen without Dragon Ball, but it seems like that hint flew right over your head, since you have a strange way of perceiving the genre outside of the works that embody it. You understand that any literary genre consists of defining literary works, right? And that any parody or deconstruction of it will primarily work with the core titles within it, not with some abstract absolute, yes?
Parody isn't just about exaggerations. Nozaki and Saiki parody school shoujo and shonen tropes without any exaggeration, simply playing with them in an ironic or subversive way. Not to mention that this manga doesn't parody rock bands per se either (whose aspects are precisely what they don't really change, retranslating most of the stereotypes about rock music like bassist with ego or animal drummer), its central theme is the parodic contrast between prim oujo-sama Class S setting and the characters' fascination with rough rock music. I don't know why I even need to explain such trivial things in a discussion of volume 4; it's literally a subversive comedy with comedic contrast, the essence of which is already laid out in the title.
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