Your commitment to quality more than excuses such trivial errors,
@statsky - thanks for all you do.
Big ups for Tina, though. She's stepped up and proven she's supposed to be up there with the rest of them.
The other three have the advantage of raw time & applied effort over her; so she's always been playing 'catch up', even before factoring in her personality and ingrained demeanor due to her upbringing and surroundings.
But now Tina's stepped up and out and into her own, and has earned the abuse christening from her bandmates that she sought so dearly.
Interestingly, no Usami-chan, in the wake of their performance. She stepped up and took on the challenge, and then the three of them, all on her own with no security buffer.
Feels rather significant, honestly.
I do think it's interesting how Venue Owner-san characterized and contrasted Ricky Lady and Bom Girls, though. The latter being a cohesive unit, whereas the former are much more individualistic, to the point of seeming to clash on-stage and mid-show. But I think that plays to Rock Lady's strengths, and what actually
gets them off propels them forward as musicians.
And she's right--they
do work very well together on an entirely intuitive level, because covering for a slip up in such a spontaneous fashion to the point that those not "in the know" never even notice it, is
not an amateur-level feat.
They've got a ways to go, sure, but there's something very special brewing between them already, and it is potent.