Dex-chan lover
- Joined
- Dec 16, 2024
- Messages
- 92
Welcome new undead minion
You're right, sorry... our raw provider missed it and the cleaner didn't notice as well, obviously I wouldn't notice as well when tl and ts, thanks for spotting it... I'll get it updated nowIs it me or page 11 is missing? There is a jump after page 10
I get that. I know that what gets translated as "hero" isn't really the same as what the English word implies and is why some translators choose to use the word "brave" instead. It's also not really entirely the source of the problem. I'm fine with Allan being a dickhead. That trope of the asshole hero who incites the manga protag to be kicked out of the party and who is mostly an irredeemable twat meant for the audience to hate is fine and even if I think it's overused it serves a purpose.
My problem is that in any good story you need a character for your audience to sympathize with. Usually that's the protagonist but you can have an anti-hero or villain protagonist who doesn't get any connection to the audience and have the other characters be worthy of the reader/viewer's time or consideration.
I agree about lack of likability. We feel no empathy for these characters because they feel no empathy for anyone else. But that's my point about 'Hero'. Current Western heroes are protectors, which is fundamentally about protecting people because the hero cares about them.I dislike some of the characters as intended, but the other ones mostly seem to only get apathy from me. And it's been said that the absolute worst 8 words any writer can hear about their work is this: "I don't care what happens to these people."
God, I hate when manga tries to give sympathetic backstories to irrelevant characters...![]()
I agree about lack of likability. We feel no empathy for these characters because they feel no empathy for anyone else. But that's my point about 'Hero'. Current Western heroes are protectors, which is fundamentally about protecting people because the hero cares about them.
If a culture lacks the ideal of 'Hero is empathetic with other people', then that culture generally won't care that the MC lacks empathy. I.e. what we find dislikable about the characters here is likely irrelevant to the original audience of this manga.
Yasei no Last Boss ga Arawareta!What manga is this from ?
I've seen your other comments too and here's the thing.Everybody in this story sucks to some degree. And I think that's why I'm having a hard time maintaining my interest. It's hard to get into a story when there's nobody to root for. Even Rick, the actual protagonist, is kind of losing it with his morally dubious choices. He just get a built in excuse because apparently being a dungeon master blunts his sense of guilt and empathy and that's supposed to make it OK.
The only character who seemed entirely and legitimately decent is the cleric girl (Mary?) and that might just be because we haven't seen enough of her to find out that she eats babies or something gruesome like that.
the source to tony's suffering is not the other Wannabe heroes. but the old man. HE and he alone did choose these monsters as heroes. nope. he is trying to kill the wrong person. he should have killed the old man instead.
but at least Tony did remove a heartless fraud.
and odd there is no an Anti hero warrior force whose purpose is to kill rogue heroes.
I've seen your other comments too and here's the thing.
You can make unlikeable people be the MCs and drive the story. You just have to make them interesting.
For instance (I always love using this example) Bojack Horseman. The MC has moments but hes a terrible person who has done horrible things and yet we relate to him and hope for him even if we dont want to.
The problem is that this sort of interesting writing is hard to pull off, especially in a short manga thats just a paint by numbers fantasy trope story.
And there is stuff here that can be interesting even if we dont find the characters likeable. The whole hero system and how Allen and Rick are just pawns in it, Rick falling even further and losing his humanity thanks to the dungeon, stuff like that.
But again, stuff like this needs a good writer and a set up that isnt always as shallow as a puddle.
That's all very true. But most of the time somewhere in the story somebody has to be likeable. There has to be an oasis in the middle that keeps you anchored to the story or eventually the overwhelming avalanche of garbage-tier people is going to burn you out (unless the story is a comedy and you get the levity of the awful characters getting their comeuppance/karmic retribution from time to time. I haven't watched a lot of it, but Bojack Horseman feels like a fit. Or It's Always Sunny in Philadelphia)
Like you said, it is possible to do a dark story where everyone sucks and make it interesting, but it probably can't last that long before you crush the audience under the weight of how depressing it is, and you have to be a damn good writer to keep up the momentum necessary to stop that from happening. Problem is that few writers are that good, and this writer clearly isn't even anywhere close.
It was directly mentioned by the spirit lady when he was mildly distressed about being okay with killing. Allen's view with the guinea pigs is just his biased telling and how he justifies in his own mind.Has that actually been stated anywhere, because according to Allan that's always the way he's looked at people, like they are guinea pigs to be experimented on?
It was directly mentioned by the spirit lady when he was mildly distressed about being okay with killing. Allen's view with the guinea pigs is just his biased telling and how he justifies in his own mind.