Fed-Kun's army
- Joined
- Dec 6, 2018
- Messages
- 218
@CountryMage Which he then proceeds to fight with them, even changing the color of his clothes, despite knowing that he has a way to communicate with them, that they will listen, and that their interests do not conflict, but he instead stands and watches them.
I'm not saying that everything he does is unreasonable, but when you argue that it's totally reasonable to let people attack him when he knowingly has a way to at least attempt to avoid being attacked just makes this far more frustrating. Not everything needs to be perfect, heck I imagine that this is probably an adaptation problem where in the source material the passage of time was far less apparent, but we can see it here and it makes him look like an idiot who doesn't even attempt to do anything. He even thinks to himself that he's not with the Goddess, showing both his own understanding of the core misunderstanding, and he allows the situation to get progressively worse by continuing to not try to resolve it. He's got no idea about what this 'smell of the goddess' is at this time, but by allowing himself to fight and resist their attacks he in turn pushes them to invest more and more into things. Someone who doesn't want to fight would pursue a path to try to resolve things, but he does nothing. This is incongruient with his motivations, with his previous actions, and even with his actions later as he does exactly try to communicate later. If the blood loss makes it harder for him to think then he should be acting instead of passively observing. I'm not saying him trying to get in touch with Mio or Tomio is a problem, I get that, but we actively see him sit just thinking, "Man, if only they knew I wasn't with the Goddess" on three seperate occassions but it's not until after he not only fights them but actively makes several battle plans which he then acts on that he even considers trying to correct this.
And it's terrible writing to justify a character's actions by results that they did not know. He actively knew the reason he was being targetted was his association with the Goddess, thus to think, "Well this person who reads what I say, finds my method of communication interesting, and talks with me is 100% unreasonable and would never listen to me." doesn't pass, if he had tried talking and wasn't surprised that they didn't listen sure, but the problem here is that this isn't good writing, justifying it, "Well it wouldn't change anything" doesn't change that this is an inherent flaw. One flaw wouldn't ruin the story as a whole, but bullheadedly arguing that it's not a flaw only encourages more of them to pile up.
I'm not saying that everything he does is unreasonable, but when you argue that it's totally reasonable to let people attack him when he knowingly has a way to at least attempt to avoid being attacked just makes this far more frustrating. Not everything needs to be perfect, heck I imagine that this is probably an adaptation problem where in the source material the passage of time was far less apparent, but we can see it here and it makes him look like an idiot who doesn't even attempt to do anything. He even thinks to himself that he's not with the Goddess, showing both his own understanding of the core misunderstanding, and he allows the situation to get progressively worse by continuing to not try to resolve it. He's got no idea about what this 'smell of the goddess' is at this time, but by allowing himself to fight and resist their attacks he in turn pushes them to invest more and more into things. Someone who doesn't want to fight would pursue a path to try to resolve things, but he does nothing. This is incongruient with his motivations, with his previous actions, and even with his actions later as he does exactly try to communicate later. If the blood loss makes it harder for him to think then he should be acting instead of passively observing. I'm not saying him trying to get in touch with Mio or Tomio is a problem, I get that, but we actively see him sit just thinking, "Man, if only they knew I wasn't with the Goddess" on three seperate occassions but it's not until after he not only fights them but actively makes several battle plans which he then acts on that he even considers trying to correct this.
And it's terrible writing to justify a character's actions by results that they did not know. He actively knew the reason he was being targetted was his association with the Goddess, thus to think, "Well this person who reads what I say, finds my method of communication interesting, and talks with me is 100% unreasonable and would never listen to me." doesn't pass, if he had tried talking and wasn't surprised that they didn't listen sure, but the problem here is that this isn't good writing, justifying it, "Well it wouldn't change anything" doesn't change that this is an inherent flaw. One flaw wouldn't ruin the story as a whole, but bullheadedly arguing that it's not a flaw only encourages more of them to pile up.