I hadn't connected that the cow woman in the kimono is similar to the one in the mirror mansion in the Pandora file before I read this chapter. It's kinda interesting to ponder Sorawo's (and her family's) connection to cow-themed imagery. The repeated appearance of the ushi-onna (cow woman in a kimono) might be related to the story she told about the Red Person compelling her to self-immolate in the family home, since it was a popular legend particularly after WWII when there were numerous reports of an ushi-onna living in burned-out ruins. The kudan is typically a prophesy-telling figure whose prophesies invariably come true. The version with her father's face from a few chapters ago telling her she's a seed of calamity might be intersecting here, but it is kind of odd there are so many kudan watching on.
I wonder if this is an intersection of cult trauma coming to a head (it's more than likely Sorawo's attempts to escape as a middle schooler aimed a lot of blame for misfortune her way) and her feeling caught out and to blame for getting herself and Toriko into a dangerous situation here.