A shoujo staple. We need dumb FL so that ML can rescue her at the last moment because then romance! I've always wondered why writers create series that are obvious trash fodder or basically the exact same tropes of previous ones, and my conclusion is even writers can phone it in like anyone else - it's just weird to me because writing isn't like working for a company making a game or art. Making a unique story that just LOOKS like a trope will sell even better than being generic.This is dumb. Everyone is dumb. But they have to be this way because that's how these stories go so nobody dares try anything different.
A shoujo staple. We need dumb FL so that ML can rescue her at the last moment because then romance! I've always wondered why writers create series that are obvious trash fodder or basically the exact same tropes of previous ones, and my conclusion is even writers can phone it in like anyone else - it's just weird to me because writing isn't like working for a company making a game or art. Making a unique story that just LOOKS like a trope will sell even better than being generic.
Nah the "find out" isn't going to happen for another 3 or 4 chapters minimum. That's on par with most titles like this.This issue: Fuck Around
Next issue: Find Out
It's sad but true, you rarely ever see a shoujo manga with good plot and innovative idea, and while those kind of stories would receive overwhelmingly good reviews from us outside of Japan, they don't do that well in their own country half of the time.I think I've heard or read that part of it is that familiar trash sells better than risky creativity. Audiences in Japan want the comfort of "the exact same thing you've read before, but in setting X or with twist Y" where everything is the same. It's why the FL is dumb, and the villains are stupid idiots who lack foresight (seriously, they're gonna execute the FL? And then what? the whole reason they're angry is that her absence disrupted things because it meant the princess couldn't fake heal anyone. What the hell do you think happens when you kill the person doing the healing?)
Some of the best series are made by being unique, and others by taking an existing trope and then hollowing out the inside to make something completely different. On the outside it looks like the slop everyone likes, but as soon as they get into it they quickly realize it's something wholly unique and great.I think I've heard or read that part of it is that familiar trash sells better than risky creativity. Audiences in Japan want the comfort of "the exact same thing you've read before, but in setting X or with twist Y" where everything is the same. It's why the FL is dumb, and the villains are stupid idiots who lack foresight (seriously, they're gonna execute the FL? And then what? the whole reason they're angry is that her absence disrupted things because it meant the princess couldn't fake heal anyone. What the hell do you think happens when you kill the person doing the healing?)
Yeah it pretty much all comes down to the execution, every story doesn't have to be perfect or uniquely its own thing, the character we are following should have their own thoughts and motive, a "soul" you could say, since it's his/her story.Some of the best series are made by being unique, and others by taking an existing trope and then hollowing out the inside to make something completely different. On the outside it looks like the slop everyone likes, but as soon as they get into it they quickly realize it's something wholly unique and great.
I don't mind reusing basic concepts we've seen before, but I'm also a firm believer that simply following them completely is a losing strategy. Look at the highest rated series of manga inside a tag, and you'll find several that are like this. What presents as a generic series becomes something irreplaceable.
My favorite example is The One Within The Villainess - just completely destroys the villainess trope entirely outside of the very basic essence of the plot